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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aArtistic Research in Performance through Collaboration /$fedited by Martin Blain, Helen Julia Minors
205   $a1st ed. 2020.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020.
215   $a1 online resource (291 pages) $cillustrations
300   $aIncludes index.
311   $a3-030-38598-1 
327   $a1. Chapter One: Introduction: Defining the Territory: Interrogating the Collaborative Processes, Issues and Concepts; Martin Blain and Helen Julia Minors -- 2. Chapter Two: The Place of Artistic Research in Higher Education; Martin Blain and Helen Julia Minors -- 3. Chapter Three: Why collaborate? Towards a Philosophy and Politics of Creative Collaboration; Mine Do?antan-Dack -- 4. Chapter Four: The Aesthetics of Collaboration; Andy Hamilton -- 5. Chapter Five: In The Bee Hive: Valuing Craft in the Cultural Industries; Alice Kettle, Helen Felcey and Amanda Ravetz -- 6. Chapter Six: The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study; Adam Fairhall -- 7. Chapter Seven: Soundpainting: a Tool for Collaborating during Performance -- Helen Julia Minors -- 8. Chapter Eight: Collaboration and the Practitioner-Researcher; Tom Armstrong -- 9. Chapter Nine: Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance; Mathilde Pavis and Karen Wood -- 10. Chapter Ten: Romance and Contagion: Notes on a Conversation Between Drawing and Dance; Sally Morfill -- 11. Chapter Eleven: The Good, The God and the Guillotine: Insider/Outsider perspectives; Martin Blain and Jane Turner -- 12. Chapter Twelve: Connecting Silos: The New Arts Organisations and HEI Collaborations; Roger McKinley and Mark Wright.
330   $aThis volume explores the issue of collaboration which is an issue at the centre of Performance Arts Research. It is explored here through the different practices of in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), or as it focuses attention and understanding on the tacit/implicit dimensions of working across different media. .
606   $aPerforming arts
606   $aTheater
606   $aActors
606   $aArts
606   $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030
606   $aPerformers and Practitioners$3https://scigraph.springernature.com/ontologies/product-market-codes/415090
606   $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040
606   $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000
615  0$aPerforming arts.
615  0$aTheater.
615  0$aActors.
615  0$aArts.
615 14$aPerforming Arts.
615 24$aPerformers and Practitioners.
615 24$aContemporary Theatre.
615 24$aArts.
676   $a707.2
676   $a792
702   $aBlain$b Martin$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aMinors$b Helen Julia$4edt$4http://id.loc.gov/vocabulary/relators/edt
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910484258203321
996   $aArtistic Research in Performance through Collaboration$92841654
997   $aUNINA