LEADER 00654nam0-22002411i-450-
001 990001136940403321
005 20100624133422.0
035   $a000113694
035   $aFED01000113694
035   $a(Aleph)000113694FED01
035   $a000113694
100   $a20001205d1919----km-y0itay50------ba
101 0 $aeng
200 1 $aPrecis d'éléctricité théorique$fde Bloch
210   $aParis$cGauthier-Villars$d1919
700  1$aBloch,$bLéon$0210466
801  0$aIT$bUNINA$gRICA$2UNIMARC
901   $aBK
912   $a990001136940403321
952   $a225-F-14$b01756$fMA1
959   $aMA1
996   $aPrecis d'electricite theorique$9111372
997   $aUNINA

LEADER 03240nam  22006615  450 
001 9910484230903321
005 20251010085401.0
010   $a9783030297220
010   $a3030297225
024 7 $a10.1007/978-3-030-29722-0
035   $a(CKB)4100000009758993
035   $a(MiAaPQ)EBC5974976
035   $a(DE-He213)978-3-030-29722-0
035   $a(MiAaPQ)EBC5974921
035   $a(EXLCZ)994100000009758993
100   $a20191107d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aComics as Communication $eA Functional Approach /$fby Paul Fisher Davies
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (349 pages) $cillustrations
225 1 $aPalgrave Studies in Comics and Graphic Novels,$x2634-6389
311 08$a9783030297213 
311 08$a3030297217 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction -- 2. Prelude: ?Animating? the narrative in abstract comics -- 3. Representing Processes in Graphic Narrative -- 4. Games Comics Play: Interpersonal Interaction in Graphic Narrative -- 5. Abstraction and the Interpersonal in Graphic Narrative -- 6. Cohesion and the Textuality of Comics -- 7. The Logical Structures of Comics: Hypotaxis, Parataxis and Text Worlds -- 8. Coda: Metaphor, magic and making meanings -- 9. Conclusion.
330   $aThis book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.
410  0$aPalgrave Studies in Comics and Graphic Novels,$x2634-6389
606   $aComic books, strips, etc$xInfluence on mass media
606   $aCommunication
606   $aPopular culture
606   $aLanguage and languages$xStyle
606   $aComics Studies
606   $aMedia and Communication
606   $aPopular Culture
606   $aStylistics
615  0$aComic books, strips, etc.$xInfluence on mass media.
615  0$aCommunication.
615  0$aPopular culture.
615  0$aLanguage and languages$xStyle.
615 14$aComics Studies.
615 24$aMedia and Communication.
615 24$aPopular Culture.
615 24$aStylistics.
676   $a741.59
676   $a741.59
700   $aDavies$b Paul Fisher$4aut$4http://id.loc.gov/vocabulary/relators/aut$01229376
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910484230903321
996   $aComics as Communication$92853582
997   $aUNINA