LEADER 03393nam 2200457 450 001 9910484184103321 005 20231214034933.0 010 $a3-030-55609-3 024 7 $a10.1007/978-3-030-55609-9 035 $a(CKB)4100000011493446 035 $a(MiAaPQ)EBC6369427 035 $a(DE-He213)978-3-030-55609-9 035 $a(EXLCZ)994100000011493446 100 $a20210307d2021 uy 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMeaning-making in the contemporary congregational song genre /$fDaniel Thornton 205 $a1st ed. 2021. 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2021] 210 4$dİ2021 215 $a1 online resource (XV, 236 p. 7 illus.) 311 $a3-030-55608-5 320 $aIncludes bibliographical references and index. 327 $aChapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny -- Chapter 2 Contemporary Congregational Song -- Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1) -- Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2) -- Chapter 5 The Old and New Guard ? Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3) -- Chapter 6 How Christians Feel About the Songs they Sing ? Individually (Esthesic Analysis Pt 1) -- Chapter 7 How Christians Feel About the Songs they Sing ? Corporately (Esthesic Analysis Pt 2) -- Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1) -- Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2) -- Chapter 10 Some Individual Examples ? Australia (Trace Analysis Pt 3) -- Chapter 11 Some Individual Examples ? UK and USA (Trace Analysis Pt 4) -- Chapter 12 The Current and Future Contemporary Congregational Songs Genre. . 330 $aThis book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians? engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures. 606 $aPopular music$xReligious aspects$xChristianity 606 $aMusic in churches 615 0$aPopular music$xReligious aspects$xChristianity. 615 0$aMusic in churches. 676 $a261.58 700 $aThornton$b Daniel$0107742 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484184103321 996 $aMeaning-making in the contemporary congregational song genre$92845543 997 $aUNINA