LEADER 04230nam 22007215 450 001 9910484182803321 005 20200919200730.0 010 $a3-658-01921-2 024 7 $a10.1007/978-3-658-01921-1 035 $a(CKB)3710000000083695 035 $a(EBL)1636677 035 $a(OCoLC)871224020 035 $a(SSID)ssj0001158040 035 $a(PQKBManifestationID)11616173 035 $a(PQKBTitleCode)TC0001158040 035 $a(PQKBWorkID)11209588 035 $a(PQKB)11268338 035 $a(MiAaPQ)EBC1636677 035 $a(DE-He213)978-3-658-01921-1 035 $a(PPN)176119582 035 $a(EXLCZ)993710000000083695 100 $a20140103d2014 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aExporting Culture $eWhich role for Europe in a Global World? /$fedited by Raphaela Henze, Gernot Wolfram 205 $a1st ed. 2014. 210 1$aWiesbaden :$cSpringer Fachmedien Wiesbaden :$cImprint: Springer VS,$d2014. 215 $a1 online resource (158 p.) 300 $aDescription based upon print version of record. 311 $a3-658-01920-4 320 $aIncludes bibliographical references at the end of each chapters. 327 $aEuropean Culture and Identity -- Globalization -- Cultural transfer -- Soft Diplomacy. 330 $aIs European culture visible enough in the globalized world? Why is culture from this continent often perceived as ?old-fashioned? or even worse as ?out-dated?? Is the export of national cultural products and services ? in most European countries subsidized by the taxpayer ? no longer relevant, or more relevant than ever before? Is it a huge waste of money, time, and effort or an attempt to create another form of globalization? Culture ? in its broadest sense ? is often viewed and accepted in ways that differ completely from those of other internationally traded goods. This might be one of the reasons why so many institutions, foundations and cooperations invest time, power, and money in cultural projects. Is this an exaggerated approach or an intelligent recognition of the genuine values of the 21st century ? creativity and cultural sensitivity? These and several other questions concerning the export of culture are addressed by authors from different countries in order to initiate a debate about the role European cultural products and services are able to play globally.   Content European Culture and Identity.- Globalization.- Cultural transfer.- Soft Diplomacy   Target groups Practitioners in cultural organizations.- Researchers and Students in arts and cultural management.- Politicians with a focus on European Culture.- All those interested in European Culture and its future   The editors Raphaela Henze is professor of Cultural Management at Heilbronn University. Gernot Wolfram teaches as professor of Arts Management at the MHMK University of Berlin. He is an expert for cultural affairs within the Team Europe of the European Commission in Germany. 606 $aManagement 606 $aCulture 606 $aArts 606 $aSociology 606 $aCultural Management$3https://scigraph.springernature.com/ontologies/product-market-codes/X22050 606 $aSociology of Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/X22100 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 606 $aSociology, general$3https://scigraph.springernature.com/ontologies/product-market-codes/X22000 607 $aEurope$xCultural policy 615 0$aManagement. 615 0$aCulture. 615 0$aArts. 615 0$aSociology. 615 14$aCultural Management. 615 24$aSociology of Culture. 615 24$aArts. 615 24$aSociology, general. 676 $a327.44 676 $a338.4770094 686 $a300$2sdnb 686 $aLB 52800$2rvk 702 $aHenze$b Raphaela$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aWolfram$b Gernot$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910484182803321 996 $aExporting Culture$92841954 997 $aUNINA