LEADER 00948cam0 2200265 450 001 E600200052554 005 20211020092007.0 100 $a20090804d1979 |||||ita|0103 ba 101 $ager 102 $aDE 200 1 $aPaul Tillich in Selbstzeugnissen und Bilddokumenten$fdargestellt von Gerhard Wehr 210 $aReinbek bei Hamburg$cRowohlt$dc1979 215 $a155 p.$cill.$d19 cm 225 2 $aRowohlts Monographien 410 1$1001LAEC00023474$12001 $a*Rowohlts Monographien 700 1$aWehr$b, Gerhard$3A600200042831$4070$0444642 801 0$aIT$bUNISOB$c20211020$gRICA 850 $aUNISOB 852 $aUNISOB$j830|Coll|1|K$m37834 912 $aE600200052554 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a830|Coll|1|K$b000020$gSi$d37834$racquisto$1beth$2UNISOB$3UNISOB$420090804083558.0$520211020092000.0$6Spinosa 996 $aPaul Tillich in Selbstzeugnissen und Bilddokumenten$91708769 997 $aUNISOB LEADER 05097nam 22006735 450 001 9910484148503321 005 20250609111812.0 010 $a9783030362188 010 $a3030362183 024 7 $a10.1007/978-3-030-36218-8 035 $a(CKB)4100000010480367 035 $a(MiAaPQ)EBC6121735 035 $a(DE-He213)978-3-030-36218-8 035 $a(Perlego)3480475 035 $a(MiAaPQ)EBC6120888 035 $a(EXLCZ)994100000010480367 100 $a20200221d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Graphic Lives of Fathers $eMemory, Representation, and Fatherhood in North American Autobiographical Comics /$fby Mihaela Precup 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (253 pages) $cillustrations 225 1 $aPalgrave Studies in Comics and Graphic Novels,$x2634-6389 311 08$a9783030362171 311 08$a3030362175 320 $aIncludes bibliographical references and index. 327 $a1. Introduction Comics, Fatherhood, and Autobiographical Representation -- 2. "A Good and Decent Man": Fatherhood, Trauma, and Post-War Masculinity in Carol Tyler's Soldier's Heart -- 3. "He was there to catch me when I leapt": Paternal Absence and Artistic Emancipation in Alison Bechdel's Fun Home -- 4. "As long as he was there, I felt safe": Fatherhood, Deception, and Detective Work in Laurie Sandell's The Impostor's Daughter -- 5. "To Dream of Birds": The Father as Potential Perpetrator in Nina Bunjevac's "August 1977" and Fatherland -- 6. "A Doting Fool": The Limits of Fatherhood in R. Crumb's Sophie Stories -- 7. "Emasculated by the Diaper Bag": Aging, Masculinity, and Fatherhood in Joe Ollmann's Mid-Life -- 8. "When the Monsters Come Jello Them": Fatherhood, Vulnerability, and the Magic of the Mundane in James Kochalka's American Elf -- 9. "You Tell Your Father He Did a Good Job": Sons, Fathers, and Inter-generational Dynamics in Jeffrey Brown's A Matter of Life -- 10. Conclusion. 330 $a"This book makes a high-quality and original contribution to the field...Mihaela Precup demonstrates a superb grasp of the scholarship in the fields of Comics Studies and autobiography studies and related areas, and the works analyzed combine widely studied examples such as Fun Home with less well discussed works such as the comics of Joe Ollmann. ...Her close readings are selective and analytical, adding both depth and context to the works under discussion." --Ian Hague, Contextual and Theoretical Studies Coordinator, London College of Communication, University of the Arts London, UK This book explores the representation of fatherhood in contemporary North American autobiographical comics that depict paternal conduct from the post-war period up to the present. It offers equal space to autobiographical comics penned by daughters who represent their fathers' complicated and often disappointing behavior, and to works by male cartoonists who depict and usually celebrate their own experiences as fathers. This book asks questions about how the desire to forgive or be forgiven can compromise the authors' ethics or dictate style, considers the ownership of life stories whose subjects cannot or do not agree to be represented, and investigates the pervasive and complicated effects of dominant masculinities. By close reading these cartoonists' complex strategies of (self-)representation, this volume also places photography and archival work alongside the problematic legacy of self-deprecation carried on from underground comics, and shows how the vocabulary of graphic narration can work with other media and at the intersection of various genres and modes to produce a valuable scrutiny of contemporary norms of fatherhood. Mihaela Precup is an Associate Professor in the American Studies Program at the University of Bucharest, where she teaches American visual and popular culture, as well as contemporary American literature andcomics studies. . 410 0$aPalgrave Studies in Comics and Graphic Novels,$x2634-6389 606 $aCommunication 606 $aEthnology$zAmerica 606 $aCulture 606 $aLiterature, Modern$y20th century 606 $aLiterature, Modern$y21st century 606 $aMedia and Communication 606 $aAmerican Culture 606 $aContemporary Literature 615 0$aCommunication. 615 0$aEthnology 615 0$aCulture. 615 0$aLiterature, Modern 615 0$aLiterature, Modern 615 14$aMedia and Communication. 615 24$aAmerican Culture. 615 24$aContemporary Literature. 676 $a302.23 676 $a741.535 700 $aPrecup$b Mihaela$4aut$4http://id.loc.gov/vocabulary/relators/aut$0927210 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484148503321 996 $aThe Graphic Lives of Fathers$92083310 997 $aUNINA