LEADER 03537nam  22006375  450 
001 9910484047303321
005 20200629130241.0
010   $a9783030405892$b(electronic bk.)
010   $a3030405893$b(electronic bk.)
010   $a3-030-40589-3
010   $z3030405885
010   $z9783030405885
024 7 $a10.1007/978-3-030-40589-2
035   $a(CKB)4100000011254823
035   $a(OCoLC)1155485084
035   $a(MiAaPQ)EBC6202724
035   $a(DE-He213)978-3-030-40589-2
035   $a(EXLCZ)994100000011254823
100   $a20200518d2020      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aRestaging Feminisms /$fby Elaine Aston
205   $a1st ed. 2020.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020.
215   $a1 online resource
225 1 $aPalgrave pivot
311   $a3-030-40588-5 
320   $aIncludes bibliographical references and index.
327   $a1. Restaging Feminisms -- 2. Reviewing the Drama of Liberal Feminism  -- 3. Acting Together: A Chorus of Radical-Feminist Protest -- 4. Towards the Great Moving Left Show? Recitals of Socialist Feminism.
330   $aThis book offers a re-encounter with the tripartite modelling of liberal, radical, and socialist feminisms foundational to forging feminist approaches to theatre. This lucid account of past-present connections to the staging of feminism assesses the legacies and renewals of all three feminist dynamics as they intersect with austerity Britain, the Weinstein watershed, and the #MeToo movement. Feminist politics, concepts, and the role of affect in the making of political attachments inform an approach that values understanding feminism?s past as critical to reanimating and restaging socially progressive, feminist futures. The volume includes case studies of productions staged between 2016 and 2019: Caryl Churchill?s Escaped Alone; David Greig?s version of The Suppliant Women; Morgan Lloyd Malcolm?s Emilia; Nina Raine?s Consent; Townsend Theatre?s We Are The Lions Mr Manager; and Laura Wade?s Home, I?m Darling. From an author with a pioneering and thirty-year-long commitment to the study of feminism and British theatre, Restaging Feminisms is for an intergenerational feminist-theatre readership: for those who are discovering relations between feminism and theatre for the first time and those re-encountering the feminist dynamics and their renewed resonance on the contemporary British stage.
410  0$aPalgrave pivot.
606   $aPerforming arts
606   $aTheater
606   $aFeminist theory
606   $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030
606   $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040
606   $aFeminism$3https://scigraph.springernature.com/ontologies/product-market-codes/E44030
615  0$aPerforming arts.
615  0$aTheater.
615  0$aFeminist theory.
615 14$aPerforming Arts.
615 24$aContemporary Theatre.
615 24$aFeminism.
676   $a792.082
676   $a792
700   $aAston$b Elaine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0175379
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910484047303321
996   $aRestaging Feminisms$92843895
997   $aUNINA