LEADER 03540nam 22006975 450 001 9910484047303321 005 20230810170403.0 010 $z3030405885 010 $z9783030405885 010 $a9783030405892$b(electronic bk.) 010 $a3030405893$b(electronic bk.) 024 7 $a10.1007/978-3-030-40589-2 035 $a(CKB)4100000011254823 035 $a(OCoLC)1155485084 035 $a(MiAaPQ)EBC6202724 035 $a(DE-He213)978-3-030-40589-2 035 $a(Perlego)3481677 035 $a(EXLCZ)994100000011254823 100 $a20200518d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRestaging Feminisms /$fby Elaine Aston 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource 225 1 $aPalgrave pivot 311 08$a9783030405885 311 08$a3030405885 320 $aIncludes bibliographical references and index. 327 $a1. Restaging Feminisms -- 2. Reviewing the Drama of Liberal Feminism -- 3. Acting Together: A Chorus of Radical-Feminist Protest -- 4. Towards the Great Moving Left Show? Recitals of Socialist Feminism. 330 $aThis book offers a re-encounter with the tripartite modelling of liberal, radical, and socialist feminisms foundational to forging feminist approaches to theatre. This lucid account of past-present connections to the staging of feminism assesses the legacies and renewals of all three feminist dynamics as they intersect with austerity Britain, the Weinstein watershed, and the #MeToo movement. Feminist politics, concepts, and the role of affect in the making of political attachments inform an approach that values understanding feminism's past as critical to reanimating and restaging socially progressive, feminist futures. The volume includes case studies of productions staged between 2016 and 2019: Caryl Churchill's Escaped Alone; David Greig's version of The Suppliant Women; Morgan Lloyd Malcolm's Emilia; Nina Raine's Consent; Townsend Theatre's We Are The Lions Mr Manager; and Laura Wade's Home, I'm Darling. From an author with a pioneering and thirty-year-long commitment to the study of feminism and British theatre, Restaging Feminisms is for an intergenerational feminist-theatre readership: for those who are discovering relations between feminism and theatre for the first time and those re-encountering the feminist dynamics and their renewed resonance on the contemporary British stage. 410 0$aPalgrave pivot. 606 $aPerforming arts 606 $aTheater 606 $aTheater$xHistory 606 $aFeminism 606 $aFeminist theory 606 $aTheatre and Performance Arts 606 $aContemporary Theatre and Performance 606 $aFeminism and Feminist Theory 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater$xHistory. 615 0$aFeminism. 615 0$aFeminist theory. 615 14$aTheatre and Performance Arts. 615 24$aContemporary Theatre and Performance. 615 24$aFeminism and Feminist Theory. 676 $a792.082 676 $a792 700 $aAston$b Elaine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0175379 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484047303321 996 $aRestaging Feminisms$92843895 997 $aUNINA