LEADER 03134oam 2200493 450 001 9910484025203321 005 20230823002152.0 010 $a3-030-42779-X 024 7 $a10.1007/978-3-030-42779-5 035 $a(CKB)4100000011704564 035 $a(DE-He213)978-3-030-42779-5 035 $a(MiAaPQ)EBC6451327 035 $a(EXLCZ)994100000011704564 100 $a20210611d2020 uy 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPolish popular music on screen /$fEwa Mazierska 205 $a1st ed. 2020. 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2020] 210 4$dİ2020 215 $a1 online resource (XII, 321 p. 23 illus., 18 illus. in color.) 311 $a3-030-42778-1 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Part 1: Musicals -- Chapter 1 - Interwar musicals -- Chapter 2 - Musicals of state socialist period -- Chapter 3 - Postcommunist musicals -- Part 2: Music Documentaries -- Chapter 4 - Documenting the history of Polish popular music -- Chapter 5 - Documenting life and work of popular music stars -- Part 3: Biopics -- Chapter 6 - Cinematic biopics -- Chapter 7 - Television series about popular music stars -- Part 4: Music Videos -- Chapter 8 - ?Music videos before music videos? -- Chapter 9 - Music videos of the 1980s -- Chapter 10 - Music videos in postcommunist Poland. . 330 $aThis book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation. 606 $aPopular music in motion pictures 606 $aMotion picture music$zPoland$xHistory and criticism 606 $aPopular music$zPoland$xHistory and criticism 615 0$aPopular music in motion pictures. 615 0$aMotion picture music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 676 $a781.542 700 $aMazierska$b Ewa$0978088 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 801 2$bAzTeS 906 $aBOOK 912 $a9910484025203321 996 $aPolish popular music on screen$92808715 997 $aUNINA