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100   $a20190411d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aCinematic Intermedialities and Contemporary Holocaust Memory /$fby Victoria Grace Walden
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (221 pages)
311   $a3-030-10876-7 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
330   $aThis book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .
606   $aMotion pictures?European influences
606   $aWorld War, 1939-1945
606   $aHistoriography
606   $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060
606   $aHistory of World War II and the Holocaust$3https://scigraph.springernature.com/ontologies/product-market-codes/717110
606   $aMemory Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/711010
615  0$aMotion pictures?European influences.
615  0$aWorld War, 1939-1945.
615  0$aHistoriography.
615 14$aEuropean Cinema and TV.
615 24$aHistory of World War II and the Holocaust.
615 24$aMemory Studies.
676   $a791.43658
676   $a791.43658
700   $aWalden$b Victoria Grace$4aut$4http://id.loc.gov/vocabulary/relators/aut$01230054
906   $aBOOK
912   $a9910483901803321
996   $aCinematic Intermedialities and Contemporary Holocaust Memory$92855276
997   $aUNINA