LEADER 05089nam 22007335 450 001 9910483880203321 005 20200630091749.0 010 $a3-030-25161-6 024 7 $a10.1007/978-3-030-25161-1 035 $a(CKB)4100000011273761 035 $a(MiAaPQ)EBC6194046 035 $a(DE-He213)978-3-030-25161-1 035 $a(EXLCZ)994100000011273761 100 $a20200508d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdaptation Considered as a Collaborative Art $eProcess and Practice /$fedited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (373 pages) 225 1 $aAdaptation in Theatre and Performance 311 $a3-030-25160-8 327 $a1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. 330 $aThis book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the 'what' to the 'how' of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative. 410 0$aAdaptation in Theatre and Performance 606 $aPerforming arts 606 $aMotion picture acting 606 $aTechnology in literature 606 $aLiterature?Translations 606 $aMotion picture authorship 606 $aTheater?Production and direction 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aScreen Performance$3https://scigraph.springernature.com/ontologies/product-market-codes/413130 606 $aLiterature and Technology/Media$3https://scigraph.springernature.com/ontologies/product-market-codes/827000 606 $aTranslation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/828000 606 $aScreenwriting$3https://scigraph.springernature.com/ontologies/product-market-codes/413140 606 $aTheatre Direction and Production$3https://scigraph.springernature.com/ontologies/product-market-codes/415050 615 0$aPerforming arts. 615 0$aMotion picture acting. 615 0$aTechnology in literature. 615 0$aLiterature?Translations. 615 0$aMotion picture authorship. 615 0$aTheater?Production and direction. 615 14$aPerforming Arts. 615 24$aScreen Performance. 615 24$aLiterature and Technology/Media. 615 24$aTranslation Studies. 615 24$aScreenwriting. 615 24$aTheatre Direction and Production. 676 $a741.5973 676 $a801 702 $aCronin$b Bernadette$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMagShamhráin$b Rachel$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPreuschoff$b Nikolai$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483880203321 996 $aAdaptation Considered as a Collaborative Art$92161867 997 $aUNINA