LEADER 05201nam 22006615 450 001 9910483804503321 005 20200705232852.0 010 $a3-030-10558-X 024 7 $a10.1007/978-3-030-10558-7 035 $a(CKB)4100000009382520 035 $a(DE-He213)978-3-030-10558-7 035 $a(MiAaPQ)EBC5909869 035 $a(EXLCZ)994100000009382520 100 $a20190928d2019 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAudible Geographies in Latin America $eSounds of Race and Place /$fby Dylon Lamar Robbins 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (XIX, 272 p. 32 illus., 18 illus. in color.) 311 $a3-030-10557-1 327 $a1. Introduction: Notes for an Audible Geography -- 2. Clinical Listening and Corporeal Resonance in the Brazilian Belle Époque -- 3. Hearing Voices, Seeing Tongues: Speech as Gestural Economy in Havana (1899-1924) -- 4. Rhythm, Diasporas, and the National Popular State -- 5. Noises in Cuban Revolutionary Cinema -- 6. Epilogue: (Re)Sonorous Tempest. 330 $aAudible Geographies in Latin America examines the audibility of place as a racialized phenomenon. It argues that place is not just a geographical or political notion, but also a sensorial one, shaped by the specific profile of the senses engaged through different media. Through a series of cases, the book examines racialized listening criteria and practices in the formation of ideas about place at exemplary moments between the 1890s and the 1960s. Through a discussion of Louis Moreau Gottschalk?s last concerts in Rio de Janeiro, and a contemporary sound installation involving telegraphs by Otávio Schipper and Sérgio Krakowski, Chapter 1 proposes a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation. Chapter 2 analyzes resonance as a racialized concept through an examination of phonograph demonstrations in Rio de Janeiro and research on dancing manias and hypnosis in Salvador da Bahia in the 1890s. Chapter 3 studies voice and speech as racialized movements, informed by criminology and the proscriptive norms defining ?white? Spanish in Cuba. Chapter 4 unpacks conflicting listening criteria for an optics of blackness in ?national? sounds, developed according to a gendered set of premises that moved freely between diaspora and empire, national territory and the fraught politics of recorded versus performed music in the early 1930s. Chapter 5, in the context of Cuban Revolutionary cinema of the 1960s, explores the different facets of noise?both as a racialized and socially relevant sense of sound and as a feature and consequence of different reproduction and transmission technologies. Overall, the book argues that these and related instances reveal how sound and listening have played more prominent roles than previously acknowledged in place-making in the specific multi-ethnic, colonial contexts characterized by diasporic populations in Latin America and the Caribbean. Dylon Lamar Robbins is Assistant Professor of Spanish and Portuguese at New York University, USA. He has published on Brazilian and Cuban cinema and music, the documentary and materiality, polyrhythm and temporality, spirit possession and political subjectivity, torture, pornography, cannibalism, and anthropophagy, as well as on visual culture and war in the United States in 1898. 606 $aEthnology?Latin America 606 $aLatin America?History 606 $aCulture 606 $aTechnology 606 $aCommunication 606 $aLatin American literature 606 $aLatin American Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411080 606 $aLatin American History$3https://scigraph.springernature.com/ontologies/product-market-codes/718020 606 $aCulture and Technology$3https://scigraph.springernature.com/ontologies/product-market-codes/411180 606 $aMedia and Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/412010 606 $aLatin American/Caribbean Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/838010 615 0$aEthnology?Latin America. 615 0$aLatin America?History. 615 0$aCulture. 615 0$aTechnology. 615 0$aCommunication. 615 0$aLatin American literature. 615 14$aLatin American Culture. 615 24$aLatin American History. 615 24$aCulture and Technology. 615 24$aMedia and Communication. 615 24$aLatin American/Caribbean Literature. 676 $a306.098 676 $a306.440980904 700 $aRobbins$b Dylon Lamar$4aut$4http://id.loc.gov/vocabulary/relators/aut$01227487 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483804503321 996 $aAudible Geographies in Latin America$92849990 997 $aUNINA