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Correspondência de Antropólogos e Folcloristas Brasileiros para Jorge Dias (1949-1972), organizado por Ana Teles da Silva, traz a público o conjunto das cartas de intelectuais brasileiros endereçadas ao antropólogo português Jorge Dias (1907-1973), depositadas no Museu Nacional de Etnologia, em Lisboa. Ao fazê-lo, vem iluminar sob novo ângulo a história das ciências sociais, em especial da antropologia, em Portugal e no Brasil. A troca de missivas transcorreu entre 1949 e 1972 e os seis anos iniciais são o período de maior intensidade, tão frequentes foram, entre 1949 e 1956, as visitas [de Jorge Dias] ao país e tão constante e diversificada foi a troca de cartas e de livros entre os correspondentes. Entre os muitos aspetos desse período vivaz, destaca-se a firme articulação entre a antropologia em formação e os estudos de folclore em plena expansão. 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Co.,$d1889-1892. 215 $a1 online resource 311 $a2644-3449 607 $aLincoln (Neb.)$vNewspapers 607 $aLancaster County (Neb.)$vNewspapers 607 $aNebraska$zLincoln$2fast 607 $aNebraska$zLancaster County$2fast 608 $aNewspapers.$2fast 676 $a071.3 906 $aJOURNAL 912 $a9910503297403321 996 $aThe farmers' alliance$91902813 997 $aUNINA LEADER 04502nam 22006975 450 001 9910483777003321 005 20240702103408.0 010 $a9783030613549 010 $a3030613542 024 7 $a10.1007/978-3-030-61354-9 035 $a(CKB)4100000011665201 035 $a(MiAaPQ)EBC6426739 035 $a(DE-He213)978-3-030-61354-9 035 $a(Perlego)3480768 035 $a(EXLCZ)994100000011665201 100 $a20201216d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBarra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam's The Mummy /$fby Youssef Rakha 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource (XI, 111 p. 22 illus., 12 illus. in color.) 225 1 $aPalgrave Studies in Arab Cinema,$x2731-4901 311 08$a9783030613532 311 08$a3030613534 327 $aChapter 1: Sections 1-50 -- Chapter 2: Sections 51-100 -- Chapter 3: Sections 101-150 -- Chapter 4: Sections 151-200. 330 $a"An electrifying, cubist portrait of a classic film's place in the world. Youssef Rakha says that Shadi Abdel Salam's The Mummy embodies 'a twilight zone of Egyptian modernity.' By writing about patriotism, grief, visual beauty, political entropy, colonialism, and sexuality, he brilliantly takes us into that modernity, that zone. Few people write about cinema with such zigzagging bravura or impertinent seriousness; not often do we get such a three-dimensional context for a film. This book will be as valuable to creative writers as it is to devotees of cinema or Egypt." (Mark Cousins, film critic and director of The Story of Film: An Odyssey) "Youssef Rakha magnificently takes us on an intellectually stimulating and highly entertaining cultural journey through the frustrations and joys of modern Egypt using Shadi Abdel Salam's masterpiece The Mummy as a tombstone touchstone. As acerbic, exciting, and politically astute as listening to The Last Poets with Godard-esque jump cuts, this stylish text makes traditional critical analysis feel like tales from the crypt." (Kaleem Aftab, author of Spike Lee: That's My Story and I'm Sticking To It) "An anecdotal and ultimately engaging meander through the imagined pasts and disjointed legacies of Egyptian history, setting out from and repeatedly returning to Shadi Abdel Salam's masterpiece." (Tim Power, archaeologist and historian, author of The Red Sea from Byzantium to the Caliphate) "Egyptian novelist Youssef Rakha captures the personal relationship with art that lies beneath all scholarly endeavor, but which too often gets lost in academic analysis." (Kevin Blankinship, Brigham Young University, USA) "Brilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal materialto start a dialogue with the Egyptian filmmaker Shadi Abdel Salam's The Mummy (1969), tracing the many meanings of Egypt's postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film." (Youssef Rakha is a novelist, poet, and essayist who writes in both Arabic and English. 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