LEADER 02340nam 2200421 450 001 9910483749703321 005 20230823001700.0 010 $a3-030-50149-3 024 7 $a10.1007/978-3-030-50149-5 035 $a(CKB)4100000011610045 035 $a(MiAaPQ)EBC6404817 035 $a(DE-He213)978-3-030-50149-5 035 $a(EXLCZ)994100000011610045 100 $a20210309d2020 uy 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA cultural history of the Disney fairy tale $eonce upon an American dream /$fTracey L. Mollet 205 $a1st ed. 2020. 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2020] 210 4$dİ2020 215 $a1 online resource (IX, 181 p.) 311 $a3-030-50148-5 327 $aChapter 1: Introduction: Once Upon A Time in Hollywood -- Chapter 2: The Classic Era : 1937-1959 -- Chapter 3: The Renaissance Era: 1989-1999 -- Chapter 4: The Renewal Era: 2009-2013 -- Chapter 5: The Reboot Era 2014-2017 -- Chapter 6: Conclusion. 330 $aThis book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with ?good? Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space. 606 $aFairy tales in motion pictures 615 0$aFairy tales in motion pictures. 676 $a791.436559 700 $aMollet$b Tracey Louise$0988785 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483749703321 996 $aA cultural history of the Disney fairy tale$92260894 997 $aUNINA