LEADER 02832nam 22005895 450 001 9910483749703321 005 20250610110612.0 010 $a9783030501495 010 $a3030501493 024 7 $a10.1007/978-3-030-50149-5 035 $a(CKB)4100000011610045 035 $a(MiAaPQ)EBC6404817 035 $a(DE-He213)978-3-030-50149-5 035 $a(Perlego)3481023 035 $a(MiAaPQ)EBC29092771 035 $a(EXLCZ)994100000011610045 100 $a20201121d2020 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Cultural History of the Disney Fairy Tale $eOnce Upon an American Dream /$fby Tracey L. Mollet 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (IX, 181 p.) 311 08$a9783030501488 311 08$a3030501485 327 $aChapter 1: Introduction: Once Upon A Time in Hollywood -- Chapter 2: The Classic Era : 1937-1959 -- Chapter 3: The Renaissance Era: 1989-1999 -- Chapter 4: The Renewal Era: 2009-2013 -- Chapter 5: The Reboot Era 2014-2017 -- Chapter 6: Conclusion. 330 $aThis book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with 'good' Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space. 606 $aMotion pictures$xHistory 606 $aAnimated films 606 $aMotion pictures, American 606 $aFilm and TV History 606 $aAnimation 606 $aAmerican Film and TV 615 0$aMotion pictures$xHistory. 615 0$aAnimated films. 615 0$aMotion pictures, American. 615 14$aFilm and TV History. 615 24$aAnimation. 615 24$aAmerican Film and TV. 676 $a791.436559 676 $a791.436559 700 $aMollet$b Tracey Louise$0988785 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483749703321 996 $aA cultural history of the Disney fairy tale$92260894 997 $aUNINA LEADER 01588oam 2200493zu 450 001 9910142979803321 005 20241212215519.0 010 $a9781509084609 010 $a1509084606 035 $a(CKB)1000000000331861 035 $a(SSID)ssj0000450666 035 $a(PQKBManifestationID)12160101 035 $a(PQKBTitleCode)TC0000450666 035 $a(PQKBWorkID)10444237 035 $a(PQKB)11022572 035 $a(EXLCZ)991000000000331861 100 $a20160829d2007 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aIEEE/EG Symposium on Interactive Ray Tracing, 2007 : Ulm, Germany, September 10-12, 2007 210 31$a[Place of publication not identified]$cIEEE$d2007 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9781424416295 311 08$a1424416299 606 $aComputer graphics$vCongresses 606 $aRay tracing algorithms$vCongresses 606 $aEngineering & Applied Sciences$2HILCC 606 $aComputer Science$2HILCC 615 0$aComputer graphics 615 0$aRay tracing algorithms 615 7$aEngineering & Applied Sciences 615 7$aComputer Science 702 $aChristensen$b Per 702 $aKeller$b Alexander$f1968- 712 02$aEuropean Association for Computer Graphics, 712 02$aIEEE Computer Society Technical Committee on Visualization and Graphics. 712 12$aIEEE/EG Symposium on Interactive Ray Tracing. 801 0$bPQKB 906 $aPROCEEDING 912 $a9910142979803321 996 $aIEEE$9878179 997 $aUNINA