LEADER 03422nam 22006615 450 001 9910483739803321 005 20230810165515.0 010 $a3-030-28898-6 024 7 $a10.1007/978-3-030-28898-3 035 $a(CKB)4100000009751219 035 $a(MiAaPQ)EBC5969465 035 $a(DE-He213)978-3-030-28898-3 035 $a(EXLCZ)994100000009751219 100 $a20191031d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReading Shakespeare in the Movies $eNon-Adaptations and Their Meaning /$fby Eric S. Mallin 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (xiii, 254 pages) $cillustrations 225 1 $aReproducing Shakespeare,$x2730-9312 311 $a3-030-28897-8 327 $a1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation -- 2. Out of Joint: Memento as Contemporary Hamlet -- 3. Titanic?s Doomed Lovers as Shakespearean Avatars -- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest -- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal -- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge. 330 $aReading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films. Writers and directors who forge an unconscious, unintentional connection to Shakespeare?s work create non-adaptations, cinema that is unexpectedly similar to certain Shakespeare plays while remaining independent as art. These films can illuminate core semantic issues in those plays in ways that direct adaptations cannot. Eric S. Mallin explores how Shakespeare illuminates these movies, analyzing the ways that The Godfather, Memento, Titanic, Birdman, and The Texas Chainsaw Massacre take on new life in dialogue with the famous playwright. In addition to challenging our ideas about adaptation, Mallin works to inspire new awareness of the meanings of Shakespearean stories in the contemporary world. 410 0$aReproducing Shakespeare,$x2730-9312 606 $aEuropean literature$xRenaissance, 1450-1600 606 $aDrama 606 $aAdaptation (Literary, artistic, etc.) 606 $aMotion pictures, American 606 $aMotion pictures 606 $aEarly Modern and Renaissance Literature 606 $aDrama 606 $aAdaptation Studies 606 $aAmerican Film and TV 606 $aFilm Theory 615 0$aEuropean literature$xRenaissance, 1450-1600. 615 0$aDrama. 615 0$aAdaptation (Literary, artistic, etc.). 615 0$aMotion pictures, American. 615 0$aMotion pictures. 615 14$aEarly Modern and Renaissance Literature. 615 24$aDrama. 615 24$aAdaptation Studies. 615 24$aAmerican Film and TV. 615 24$aFilm Theory. 676 $a791.436 676 $a822.33 700 $aMallin$b Eric S$4aut$4http://id.loc.gov/vocabulary/relators/aut$0324603 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483739803321 996 $aReading Shakespeare in the Movies$92850007 997 $aUNINA