LEADER 02259nam 2200553 a 450 001 9910784209803321 005 20230617005454.0 010 $a0-8389-9814-3 035 $a(CKB)1000000000345630 035 $a(EBL)252264 035 $a(OCoLC)475965984 035 $a(SSID)ssj0000128254 035 $a(PQKBManifestationID)11160063 035 $a(PQKBTitleCode)TC0000128254 035 $a(PQKBWorkID)10069008 035 $a(PQKB)10840913 035 $a(MiAaPQ)EBC3001644 035 $a(MiAaPQ)EBC252264 035 $a(Au-PeEL)EBL3001644 035 $a(CaPaEBR)ebr10194690 035 $a(OCoLC)929146321 035 $a(Au-PeEL)EBL252264 035 $a(EXLCZ)991000000000345630 100 $a20040713d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe concise AACR2$b[electronic resource] /$fprepared by Michael Gorman 205 $a4th ed. 210 $aChicago $cAmerican Library Association ;$aOttawa $cCanadian Library Association ;$aLondon $cChartered Institute of Library and Information Professionals$d2004 215 $a1 online resource (199 p.) 300 $a"Based on AACR2, 2002 revision, 2004 update." 300 $aIncludes index. 311 $a0-8389-3548-6 327 $aContents; Foreword; Acknowledgments 1981; Acknowledgments 1989; Acknowledgments 1998; Acknowledgments 2004; General Introduction; Part 1 - Description; Part 2 - Headings, Uniform Titles, and References; Appendix I - Capitalization; Appendix II - Glossary; Appendix III - Comparative Table of Rule Numbers; Index; 330 $aMichael Gorman, co-editor of the original AACR2, explains the more generally applicable AACR2 rules for cataloging library materials in simplified terms that make the rules more accessible and practical for practitioners and students who are in less complex library and bibliographic environments. 606 $aDescriptive cataloging$vRules 615 0$aDescriptive cataloging 676 $a025.3/2 700 $aGorman$b Michael$f1941-$08979 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784209803321 996 $aThe concise AACR2$93858654 997 $aUNINA LEADER 03448nam 22006735 450 001 9910483738303321 005 20250610110151.0 010 $a9783030406431 010 $a3030406431 024 7 $a10.1007/978-3-030-40643-1 035 $a(CKB)4100000011389955 035 $a(MiAaPQ)EBC6308657 035 $a(DE-He213)978-3-030-40643-1 035 $a(Perlego)3480570 035 $a(MiAaPQ)EBC29077893 035 $a(EXLCZ)994100000011389955 100 $a20200817d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerforming Ruins /$fby Simon Murray 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xviii, 316 pages) $cillustrations 225 1 $aPerforming Landscapes,$x2947-5570 311 08$a9783030406424 311 08$a3030406423 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature's Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View -- . 330 $aThis book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author's fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book's main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author's own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists' reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically. 410 0$aPerforming Landscapes,$x2947-5570 606 $aPerforming arts 606 $aTheater 606 $aTheater$xHistory 606 $aActors 606 $aTheatre and Performance Arts 606 $aContemporary Theatre and Performance 606 $aPerformers and Practitioners 606 $aApplied Theatre 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater$xHistory. 615 0$aActors. 615 14$aTheatre and Performance Arts. 615 24$aContemporary Theatre and Performance. 615 24$aPerformers and Practitioners. 615 24$aApplied Theatre. 676 $a720 676 $a792 700 $aMurray$b Simon$4aut$4http://id.loc.gov/vocabulary/relators/aut$0779134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483738303321 996 $aPerforming Ruins$92841909 997 $aUNINA