LEADER 03489nam 22006015 450 001 9910483738303321 005 20201220015433.0 010 $a3-030-40643-1 024 7 $a10.1007/978-3-030-40643-1 035 $a(CKB)4100000011389955 035 $a(MiAaPQ)EBC6308657 035 $a(DE-He213)978-3-030-40643-1 035 $a(EXLCZ)994100000011389955 100 $a20200817d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerforming Ruins /$fby Simon Murray 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xviii, 316 pages) $cillustrations 225 1 $aPerforming Landscapes 311 $a3-030-40642-3 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature?s Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View -- . 330 $aThis book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author?s fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book?s main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author?s own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists? reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically. 410 0$aPerforming Landscapes 606 $aPerforming arts 606 $aTheater 606 $aActors 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aPerformers and Practitioners$3https://scigraph.springernature.com/ontologies/product-market-codes/415090 606 $aApplied Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415120 615 0$aPerforming arts. 615 0$aTheater. 615 0$aActors. 615 14$aPerforming Arts. 615 24$aContemporary Theatre. 615 24$aPerformers and Practitioners. 615 24$aApplied Theatre. 676 $a720 676 $a792 700 $aMurray$b Simon$4aut$4http://id.loc.gov/vocabulary/relators/aut$0779134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483738303321 996 $aPerforming Ruins$92841909 997 $aUNINA