LEADER 01225nam 22004093 450 001 9910159566003321 005 20200520144314.0 010 $a9957-604-73-2 035 $a(CKB)3820000000021790 035 $a(EBL)3341881 035 $a(MiAaPQ)EBC3341881 035 $a(EXLCZ)993820000000021790 100 $a20130303d2011 my | 101 0 $aara 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDiwan Ghazzah min al-fusfur ila al-zajil /$fIsa al-Rumi 205 $6880-03$aal-T£abah al-ula. 210 1$aAmman :$cDar Fad£aat lil-Nashr wa-al-Tawzi,$d2011. 215 $a1 online resource (49 p.) 300 $aDescription based upon print version of record. 311 $a9957-30-238-8 327 $a????? ??? ?? ??????? ??? ?????? 330 $aShort stories. 610 $aMODERN AGE$aARABIC FICTION$aARABIC NOVELS 676 $a811.009 700 $aal-Rumi$b Isa$01758450 712 02$aAl Manhal FZLLC. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910159566003321 996 $aDiwan Ghazzah min al-fusfur ila al-zajil$94196654 997 $aUNINA LEADER 05202nam 22006255 450 001 9910483685803321 005 20250610110033.0 010 $a9783030385286 010 $a3030385280 024 7 $a10.1007/978-3-030-38528-6 035 $a(CKB)4100000011401132 035 $a(MiAaPQ)EBC6319932 035 $a(DE-He213)978-3-030-38528-6 035 $a(Perlego)3480849 035 $a(MiAaPQ)EBC29228863 035 $a(EXLCZ)994100000011401132 100 $a20200826d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBritish Women's Writing from Brontė to Bloomsbury, Volume 2 $e1860s and 1870s /$fedited by Adrienne E. Gavin, Carolyn W. de la L. Oulton 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (307 pages) 225 1 $aBritish Women's Writing from Brontė to Bloomsbury, 1840-1940,$x2523-7179 ;$v2 311 08$a9783030385279 311 08$a3030385272 327 $a1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-class?: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat'sHer Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter. . 330 $aThis five-volume series, British Women's Writing From Brontė to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume's 16 original essays consider such developments as the sensation craze, the impact of new technologies,and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s. 410 0$aBritish Women's Writing from Brontė to Bloomsbury, 1840-1940,$x2523-7179 ;$v2 606 $aLiterature, Modern$y19th century 606 $aFiction 606 $aEuropean literature 606 $aNineteenth-Century Literature 606 $aFiction Literature 606 $aEuropean Literature 615 0$aLiterature, Modern 615 0$aFiction. 615 0$aEuropean literature. 615 14$aNineteenth-Century Literature. 615 24$aFiction Literature. 615 24$aEuropean Literature. 676 $a823.809 676 $a809.41 702 $aGavin$b Adrienne E$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $ade la L. Oulton$b Carolyn W$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483685803321 996 $aBritish Women's Writing from Brontė to Bloomsbury, Volume 2$92212370 997 $aUNINA