LEADER 02759nam  22005535  450 
001 9910483635603321
005 20220511134354.0
010   $a9783030048679
010   $a3030048675
024 7 $a10.1007/978-3-030-04867-9
035   $a(CKB)4100000008280470
035   $a(MiAaPQ)EBC5780064
035   $a(DE-He213)978-3-030-04867-9
035   $a(Perlego)3493735
035   $a(EXLCZ)994100000008280470
100   $a20190524d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aCrime Scenery in Postwar Film and Photography /$fby Henrik Gustafsson
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (292 pages)
300   $aIncludes index.
311 08$a9783030048662 
311 08$a3030048667 
327   $a1. Imperfect Crimes -- 2. From Dreamwork to Earthwork -- 3. Intruders in the Dust -- 4. A Murder of Crows -- 5. Persistence of Vision -- 6. The Testimony of Trees.
330   $aThis book offers a rare and innovative consideration of an enduring tendency in postwar art to explore places devoid of human agents in the wake of violent encounters. To see the scenery together with the crime elicits a double interrogation, not merely of a physical site but also of its formation as an aesthetic artefact, and ultimately of our own acts of looking and imagining. Closely engaging with a vast array of works made by artists, filmmakers and photographers, each who has forged a distinct vantage point on the aftermath of crime and conflict, the study selectively maps the afterlife of landscape in search of the political and ethical agency of the image. By way of a thoroughly interdisciplinary approach, Crime Scenery in Postwar Film and Photography brings landscape studies into close dialogue with contemporary theory by paying sustained attention to how the gesture of retracing past events facilitates new configurations of the present and future.
606   $aPhotography
606   $aCollective memory
606   $aTransnational crime
606   $aPhotography
606   $aMemory Studies
606   $aTransnational Crime
615  0$aPhotography.
615  0$aCollective memory.
615  0$aTransnational crime.
615 14$aPhotography.
615 24$aMemory Studies.
615 24$aTransnational Crime.
676   $a364
676   $a791.43025
700   $aGustafsson$b Henrik$4aut$4http://id.loc.gov/vocabulary/relators/aut$01178688
906   $aBOOK
912   $a9910483635603321
996   $aCrime Scenery in Postwar Film and Photography$92848278
997   $aUNINA