LEADER 02672nam 2200601Ia 450 001 9910783387803321 005 20230617031719.0 010 $a0-520-92989-6 010 $a1-59734-562-8 035 $a(CKB)1000000000024201 035 $a(EBL)223429 035 $a(OCoLC)475927964 035 $a(SSID)ssj0000133511 035 $a(PQKBManifestationID)11158803 035 $a(PQKBTitleCode)TC0000133511 035 $a(PQKBWorkID)10041853 035 $a(PQKB)10139707 035 $a(StDuBDS)EDZ0000055820 035 $a(MiAaPQ)EBC223429 035 $a(Au-PeEL)EBL223429 035 $a(CaPaEBR)ebr10068543 035 $a(EXLCZ)991000000000024201 100 $a20030730d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCultural politics in Polybius's Histories$b[electronic resource] /$fCraige B. Champion 210 $aBerkeley ;$aLondon $cUniversity of California Press$dc2004 215 $a1 online resource (351 p.) 225 1 $aHellenistic culture and society ;$v41 300 $aDescription based upon print version of record. 311 $a0-520-23764-1 320 $aIncludes bibliographical references (p. 261-282) and index. 327 $aAcknowledgments; Abbreviations; Introduction; PART ONE: Historical and Historiographical Contexts; PART TWO: Text and Narrative; PART THREE: Ideological and Political Contexts; Conclusion; Appendix A; Appendix B; Appendix C; Bibliography; General index; Index locorum; Index of polybian terminology 330 $aPolybius was a Greek statesman and political prisoner of Rome in the second century B.C.E. His Histories provide the earliest continuous narrative of the rise of the Roman Empire. In this original study informed by recent work in cultural studies and on ethnicity, Craige Champion demonstrates that Polybius's work performs a literary and political balancing act of heretofore unappreciated subtlety and interest. 410 0$aHellenistic culture and society ;$v41. 606 $aHistory, Ancient$xHistoriography 606 $aCivilization, Classical$xHistoriography 607 $aRome$xPolitics and government$y265-30 B.C$xHistoriography 607 $aGreece$xPolitics and government$yTo 146 B.C$xHistoriography 615 0$aHistory, Ancient$xHistoriography. 615 0$aCivilization, Classical$xHistoriography. 676 $a938 700 $aChampion$b Craige Brian$01484896 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783387803321 996 $aCultural politics in Polybius's Histories$93703733 997 $aUNINA LEADER 03213nam 22005055 450 001 9910483539303321 005 20251030103717.0 010 $a9781137578754 010 $a1137578750 024 7 $a10.1057/978-1-137-57875-4 035 $a(CKB)4100000008347237 035 $a(MiAaPQ)EBC5785426 035 $a(DE-He213)978-1-137-57875-4 035 $a(Perlego)3490076 035 $a(EXLCZ)994100000008347237 100 $a20190604d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProducing British Television Drama $eLocal Production in a Global Era /$fby Ruth McElroy, Caitriona Noonan 205 $a1st ed. 2019. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (176 pages) 311 08$a9781137578747 311 08$a1137578742 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. What Makes TV Drama Special? -- 3. The Ecology of TV Drama Production -- 4. Locating Regional Production -- 5. Building a Sustainable Labour Force -- 6. Cultural Intermediaries and the Value of Game of Thrones -- 7. Power and sustainability in TV Drama Production. 330 $aThis book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements?the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribingvalue to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama. 606 $aMotion pictures$zGreat Britain 606 $aMotion pictures$xProduction and direction 606 $aBritish Film and TV 606 $aFilm and Television Production 615 0$aMotion pictures 615 0$aMotion pictures$xProduction and direction. 615 14$aBritish Film and TV. 615 24$aFilm and Television Production. 676 $a791.450941 700 $aMcElroy$b Ruth$4aut$4http://id.loc.gov/vocabulary/relators/aut$0881024 702 $aNoonan$b Caitriona$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910483539303321 996 $aProducing British Television Drama$92845609 997 $aUNINA