LEADER 02613nam 2200661Ia 450 001 9910463682903321 005 20200520144314.0 010 $a0-292-74434-X 035 $a(CKB)3170000000060191 035 $a(EBL)3443656 035 $a(SSID)ssj0000835210 035 $a(PQKBManifestationID)11457615 035 $a(PQKBTitleCode)TC0000835210 035 $a(PQKBWorkID)10989906 035 $a(PQKB)10186747 035 $a(MiAaPQ)EBC3443656 035 $a(OCoLC)830324097 035 $a(MdBmJHUP)muse25102 035 $a(Au-PeEL)EBL3443656 035 $a(CaPaEBR)ebr10674471 035 $a(EXLCZ)993170000000060191 100 $a20120720d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigital ethnography$b[electronic resource] $eanthropology, narrative, and new media /$fby Natalie M. Underberg and Elayne Zorn 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$dc2013 215 $a1 online resource (127 p.) 300 $aDescription based upon print version of record. 311 $a0-292-74433-1 320 $aIncludes bibliographical references and index. 327 $a""Acknowledgments""; ""Introduction""; ""1. Rethinking Culture through Multimedia Ethnography""; ""2. Florida and Peru: Experiments in Ethnographic Representation""; ""3. Digital Tools for Anthropological Analysis""; ""4. Using the Extensible Markup Language in Cultural Analysis and Presentation""; ""5. Using Features of Digital Environments to Enable Cultural Learning""; ""6. Cultural Heritage Video Game Design""; ""Conclusion: Narratives and Critical Anthropology: Roles for New Media""; ""Appendix: Guide to Web- Based Materials""; ""Glossary""; ""References Cited""; ""Index"" 606 $aAnthropology$xComputer network resources 606 $aDigital media 606 $aDigital communications 606 $aCommunication in anthropology 606 $aDigital video 606 $aVideo recording in ethnology 608 $aElectronic books. 615 0$aAnthropology$xComputer network resources. 615 0$aDigital media. 615 0$aDigital communications. 615 0$aCommunication in anthropology. 615 0$aDigital video. 615 0$aVideo recording in ethnology. 676 $a301.0285 700 $aUnderberg$b Natalie M$0960803 701 $aZorn$b Elayne$0960804 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463682903321 996 $aDigital ethnography$92178047 997 $aUNINA LEADER 04230nam 22006615 450 001 9910483501503321 005 20250609111814.0 010 $a9783030277420 010 $a3030277429 024 7 $a10.1007/978-3-030-27742-0 035 $a(CKB)4100000010473929 035 $a(MiAaPQ)EBC6109991 035 $a(DE-He213)978-3-030-27742-0 035 $a(Perlego)3480255 035 $a(MiAaPQ)EBC6109889 035 $a(EXLCZ)994100000010473929 100 $a20200212d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Object of Comedy $ePhilosophies and Performances /$fedited by Jamila M. H. Mascat, Gregor Moder 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (300 pages) $cillustrations 225 1 $aPerformance Philosophy,$x2057-7176 311 08$a9783030277413 311 08$a3030277410 320 $aIncludes bibliographical references and index. 327 $aSection 1 - Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch - Mladen Dolar -- Chapter 2. How They Fought - Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship - Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes' Alliance - Rachel Aumiller -- Section 2 - Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy - Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin's Modern Times - Alfie Bown -- Chapter 7. Where Does Dirt Come From? - Alenka Zupan?i? -- Section 3 - Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All - Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton's The General - Lisa Trahair -- Chapter 10. Bad Cops - Todd McGowan -- Section 4 - Performing Comedy -- Chapter 11. Richard Pryor, the Conedian - Alexi Kukuljevic -- Chapter 12. Comedy as Performance - Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky - Keti Chukhrov -- Chapter 14. Asking for It. An exchange - Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci - Jamila M.H. Mascat. 330 $aWhat is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives - both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) -regions that comical practices and theories in fact already traverse. 410 0$aPerformance Philosophy,$x2057-7176 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aPhilosophy 606 $aContemporary Theatre and Performance 606 $aTheatre and Performance Arts 606 $aPhilosophy 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aPhilosophy. 615 14$aContemporary Theatre and Performance. 615 24$aTheatre and Performance Arts. 615 24$aPhilosophy. 676 $a809.2523 676 $a809.917 702 $aMascat$b Jamila M. H$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aModer$b Gregor$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483501503321 996 $aThe Object of Comedy$92853723 997 $aUNINA