LEADER 01116nam0 22002771i 450 001 UON00122895 005 20231205102724.833 100 $a20020107d1975 |0itac50 ba 101 $aeng 102 $aIN 105 $a|||| 1|||| 200 1 $aDecipherment of Indus Script$ea new light$fBankabehari Chakravorti 210 $aCalcutta$cIndian Publications$d1975 215 $a54 p., c. di tav.$d24 cm 410 1$1001UON00122894$12001 $aIndian Publications Monograph Series$v16 606 $aPALEOGRAFIA INDIANA$3UONC009770$2FI 620 $aIN$dCalcutta$3UONL000111 686 $aSI XIX$cSUBCONT. INDIANO - PALEOGRAFIA E DIPLOMATICA$2A 700 1$aCHAKRAVORTI$bBankabehari$3UONV076695$0667320 712 $aIndian Publications$3UONV245826$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00122895 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI SI XIX 003 $eSI SA 3424 5 003 996 $aDecipherment of Indus Script$91316337 997 $aUNIOR LEADER 02576nam 22005055 450 001 9910483490303321 005 20200702232502.0 024 7 $a10.1007/978-3-030-19753-7 035 $a(CKB)4100000008525476 035 $a(DE-He213)978-3-030-19753-7 035 $a(MiAaPQ)EBC5802504 035 $a(EXLCZ)994100000008525476 100 $a20190626d2019 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Clay Writer $eShaping in Creative Writing /$fby Zoran ?ivkovi? 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2019. 215 $a1 online resource (XII, 136 p. 3 illus., 2 illus. in color.) 311 $a3-030-19753-0 311 $a3-030-19752-2 327 $aPart I Essays -- The Clay Writer -- Annotations 1 -- Part II Fiction -- The Telephone -- Sherlock Holmes? Last Case: The Letter.-Fingernails -- Lost Illusions -- The First Loop -- Infernal Library -- Annotations 2. 330 $aThis concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context. 606 $aCreative writing 606 $aLiterature 606 $aFiction 606 $aCreative Writing$3https://scigraph.springernature.com/ontologies/product-market-codes/826000 606 $aPopular Science in Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/Q39000 606 $aFiction$3https://scigraph.springernature.com/ontologies/product-market-codes/825000 615 0$aCreative writing. 615 0$aLiterature. 615 0$aFiction. 615 14$aCreative Writing. 615 24$aPopular Science in Literature. 615 24$aFiction. 676 $a808.02 676 $a808.02 700 $a?ivkovi?$b Zoran$4aut$4http://id.loc.gov/vocabulary/relators/aut$0689130 906 $aBOOK 912 $a9910483490303321 996 $aThe Clay Writer$92852267 997 $aUNINA