LEADER 02243nam  2200421   450 
001 9910483423203321
005 20230823000820.0
010   $a3-030-53134-1
024 7 $a10.1007/978-3-030-53134-8
035   $a(CKB)4100000011476542
035   $a(MiAaPQ)EBC6357813
035   $a(DE-He213)978-3-030-53134-8
035   $a(EXLCZ)994100000011476542
100   $a20210225d2020      uy             0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aModernism and Mimesis /$fStephen D. Dowden
205   $a1st ed. 2020.
210  1$aCham, Switzerland :$cPalgrave Macmillan,$d[2020]
210  4$d©2020
215   $a1 online resource (IX, 283 p. 9 illus., 8 illus. in color.) 
311   $a3-030-53133-3 
327   $a1. Chapter 1: Uneasy Modernism -- 2. Chapter 2: Novelistic Style and the Disappearance of Breakfast -- 3. Chapter 3: Painting the World Picture -- 4. Chapter 4: Music as Natural Magic -- 5. Chapter 5: The Gift of Babel.
330   $aThis book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither ?difficult? nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
606   $aLiterature$xPhilosophy
615  0$aLiterature$xPhilosophy.
676   $a801
700   $aDowden$b Stephen D.$01083265
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910483423203321
996   $aModernism and Mimesis$92855186
997   $aUNINA