LEADER 00849nam0-22003011i-450- 001 990001017580403321 005 20040517161028.0 035 $a000101758 035 $aFED01000101758 035 $a(Aleph)000101758FED01 035 $a000101758 100 $a20020001d--------km-y0itay50------ba 101 0 $aita 200 1 $aDifferential Algebra and Algebraic Groups$fE.R. Kolchin 210 $aNew York$cAcademic Press$d1973 225 1 $aPure and applied mathematics$v54 610 0 $aAlgebra 610 0 $aTeoria delle equazioni 610 0 $aCalcolo vettoriale 676 $a512 700 1$aKolchin,$bEllis Robert$048290 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001017580403321 952 $a10-113F$b9134$fFI1 959 $aFI1 996 $aDifferential algebra and algebraic groups$981823 997 $aUNINA LEADER 03779nam 22008175 450 001 9910483373803321 005 20251116225457.0 010 $a9783030415013 010 $a3030415015 024 7 $a10.1007/978-3-030-41501-3 035 $a(OCoLC)1137814864 035 $a(MiAaPQ)EBC6152176 035 $a(CKB)4100000010770905 035 $a(DE-He213)978-3-030-41501-3 035 $a(Perlego)3480296 035 $a(EXLCZ)994100000010770905 100 $a20200330d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aContemporary African Dance Theatre $ePhenomenology, Whiteness, and the Gaze /$fby Sabine Sörgel 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (ix, 174 pages) $cillustrations 225 1 $aNew World Choreographies,$x2730-9274 311 08$a9783030415006 311 08$a3030415007 320 $aIncludes bibliographical references and index. 320 $aIncludes bibliographical references and index. 327 $a1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze. 330 $aThis book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. . 410 0$aNew World Choreographies,$x2730-9274 606 $aDance 606 $aPerforming arts 606 $aTheater 606 $aTheater$xHistory 606 $aActors 606 $aEthnology$zAfrica 606 $aCulture 606 $aDance 606 $aTheatre and Performance Arts 606 $aContemporary Theatre and Performance 606 $aPerformers and Practitioners 606 $aApplied Theatre 606 $aAfrican Culture 615 0$aDance. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater$xHistory. 615 0$aActors. 615 0$aEthnology 615 0$aCulture. 615 14$aDance. 615 24$aTheatre and Performance Arts. 615 24$aContemporary Theatre and Performance. 615 24$aPerformers and Practitioners. 615 24$aApplied Theatre. 615 24$aAfrican Culture. 676 $a305.8 676 $a301 700 $aSo?rgel$b Sabine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0861778 712 02$aProQuest (Firm) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483373803321 996 $aContemporary African Dance Theatre$92592333 997 $aUNINA