LEADER 04065nam 22007455 450 001 9910483373803321 005 20230120075148.0 010 $a9783030415013 010 $a3030415015 024 7 $a10.1007/978-3-030-41501-3 035 $a(OCoLC)1137814864 035 $a(MiAaPQ)EBC6152176 035 $a(CKB)4100000010770905 035 $a(EXLCZ)994100000010770905 100 $a20200330d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aContemporary African Dance Theatre $ePhenomenology, Whiteness, and the Gaze /$fby Sabine Sörgel 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (ix, 174 pages) $cillustrations 225 1 $aNew World Choreographies,$x2730-9266 311 $a3-030-41500-7 320 $aIncludes bibliographical references and index. 320 $aIncludes bibliographical references and index. 327 $a1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze. 330 $aThis book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ?un-suturing? that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. . 410 0$aNew World Choreographies,$x2730-9266 606 $aDance 606 $aPerforming arts 606 $aTheater 606 $aActors 606 $aEthnology?Africa 606 $aDance$3https://scigraph.springernature.com/ontologies/product-market-codes/415020 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aPerformers and Practitioners$3https://scigraph.springernature.com/ontologies/product-market-codes/415090 606 $aApplied Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415120 606 $aAfrican Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411030 615 0$aDance. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aActors. 615 0$aEthnology?Africa. 615 14$aDance. 615 24$aPerforming Arts. 615 24$aContemporary Theatre. 615 24$aPerformers and Practitioners. 615 24$aApplied Theatre. 615 24$aAfrican Culture. 676 $a305.8 676 $a301 700 $aSörgel$b Sabine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0861778 712 02$aProQuest (Firm) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 856 40$ahttps://ebookcentral.proquest.com/lib/queen-ebooks/detail.action?docID=6152176 906 $aBOOK 912 $a9910483373803321 996 $aContemporary African Dance Theatre$92592333 997 $aUNINA