LEADER 04138nam 22006615 450 001 9910483362703321 005 20220228191540.0 010 $a3-030-49111-0 024 7 $a10.1007/978-3-030-49111-6 035 $a(CKB)4100000011343592 035 $a(MiAaPQ)EBC6268592 035 $a(DE-He213)978-3-030-49111-6 035 $a(EXLCZ)994100000011343592 100 $a20200707d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Agency of Objects in English Prose, 1789?1832$b[electronic resource] $eConspicuous Things /$fby Nikolina Hatton 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xi, 247 pages) $cillustrations 311 $a3-030-49110-2 327 $aChapter 1: Introduction: Objects in Prose, from Actants to Things -- Chapter 2: A Pin, A Mirror, and a Pen: Everyday It-Narrators, Conspicuous Tools -- Chapter 3: ?Very conspicuous on one of his fingers?: Generative Things in Austen?s Juvenilia, Sense and Sensibility and Emma -- Chapter 4: Unwieldy Objects in De Quincey?s Confessions (1821): Things that Undermine Subjectivity -- Chapter 5: Performing Authorship in the Silver Fork Novel: Managing a Thing Filled with Objects -- Chapter 6: Conclusion: All Those ?tables and chairs??Productive Objects and Chaotic Things? 330 $aThe Agency of Objects in English Prose, 1789?1832: Conspicuous Things engages with new materialist methodologies to examine shifting perceptions of nonhuman agency in English prose at the turn of the nineteenth century. Examining texts as diverse as it-narratives, the juvenile writings and novels of Jane Austen, De Quincey?s autobiographical writings, and silver fork novels, Nikolina Hatton demonstrates how object agency is viewed in this period as constitutive?not just in regard to human subjectivity but also in aesthetic creation. Objects appear in these novels and short prose works as aids, intermediaries, adversaries, and obstructions, as well as both intimately connected to humans and strangely alien. Through close readings, the book traces how object agency, while sometimes perceived as a threat by authors and characters, also continues to be understood as a source of the delightfully unexpected?in everyday life as well as in narrative. 606 $aLiterature, Modern$y18th century 606 $aLiterature, Modern$y19th century 606 $aBooks$xHistory 606 $aEthnology$zEurope 606 $aCivilization$xHistory 606 $aEighteenth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/819000 606 $aNineteenth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/821000 606 $aHistory of the Book$3https://scigraph.springernature.com/ontologies/product-market-codes/814000 606 $aBritish Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411050 606 $aHistory of Britain and Ireland$3https://scigraph.springernature.com/ontologies/product-market-codes/717020 606 $aCultural History$3https://scigraph.springernature.com/ontologies/product-market-codes/723000 607 $aGreat Britain$xHistory 615 0$aLiterature, Modern 615 0$aLiterature, Modern 615 0$aBooks$xHistory. 615 0$aEthnology 615 0$aCivilization$xHistory. 615 14$aEighteenth-Century Literature. 615 24$aNineteenth-Century Literature. 615 24$aHistory of the Book. 615 24$aBritish Culture. 615 24$aHistory of Britain and Ireland. 615 24$aCultural History. 676 $a828.50809 700 $aHatton$b Nikolina$4aut$4http://id.loc.gov/vocabulary/relators/aut$01081296 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483362703321 996 $aThe Agency of Objects in English Prose, 1789?1832$92595062 997 $aUNINA