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010   $a9783030061067
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024 7 $a10.1007/978-3-030-06106-7
035   $a(CKB)4100000007389691
035   $a(DE-He213)978-3-030-06106-7
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100   $a20190104d2019      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Art and Science of Trauma and the Autobiographical $eNegotiated Truths /$fby Meg Jensen
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (XIII, 299 p. 1 illus.)
225 1 $aPalgrave Studies in Life Writing,$x2730-9193
311 08$a9783030061050 
311 08$a3030061051 
327   $a1. The Negotiated Truth -- 2. Valuing the Witness: Typologies of Testimony -- 3. Time, Body, Memory: The Staged Moment in Posttraumatic Letters, Journals, Essays and Memoirs -- 4. What it is like: Fiction, Fear and Narratives of Feeling in Posttraumatic Autobiographical Novels -- 5. Speaking In and Speaking Out: Postttraumatic Poetry and Autography -- 6. Annihilation and Integration in Collective Posttraumatic Monuments, Testimonies and Literary Texts -- 7. The Art and Science of Therapeutic Innovation: Hope for PTSD Sufferers Today and Tomorrow.
330   $aThis book examines posttraumatic autobiographical projects, elucidating the complex relationship between the 'science of trauma' (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as 'symptoms'but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.
410  0$aPalgrave Studies in Life Writing,$x2730-9193
606   $aLiterature, Modern$y20th century
606   $aEuropean literature
606   $aAmerica$xLiteratures
606   $aPhilosophy of mind
606   $aSelf
606   $aCollective memory
606   $aTwentieth-Century Literature
606   $aEuropean Literature
606   $aNorth American Literature
606   $aPhilosophy of the Self
606   $aMemory Studies
615  0$aLiterature, Modern
615  0$aEuropean literature.
615  0$aAmerica$xLiteratures.
615  0$aPhilosophy of mind.
615  0$aSelf.
615  0$aCollective memory.
615 14$aTwentieth-Century Literature.
615 24$aEuropean Literature.
615 24$aNorth American Literature.
615 24$aPhilosophy of the Self.
615 24$aMemory Studies.
676   $a809.04
676   $a809.933561
700   $aJensen$b Meg$4aut$4http://id.loc.gov/vocabulary/relators/aut$01207530
906   $aBOOK
912   $a9910483331103321
996   $aThe Art and Science of Trauma and the Autobiographical$92785459
997   $aUNINA