LEADER 03690nam  22005535  450 
001 9910483328903321
005 20200704102628.0
010   $a3-030-03608-1
024 7 $a10.1007/978-3-030-03608-9
035   $a(CKB)4100000007223624
035   $a(MiAaPQ)EBC5622180
035   $a(DE-He213)978-3-030-03608-9
035   $a(EXLCZ)994100000007223624
100   $a20181218d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aPhilippine Cinema and the Cultural Economy of Distribution /$fby Michael Kho Lim
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (284 pages)
311   $a3-030-03607-3 
327   $a1. Introduction: Film Distribution in Action -- 2. Film Distribution in Film Studies -- 3. The Making of Philippine Independent Cinema -- 4. Now Showing: The State of Philippine Cinema -- 5. Distribution and Exhibition as Intermediary Spaces -- 6. Traditional Film Distribution and Exhibition Platforms in the Formal Economy -- 7. Emerging Film Distribution and Exhibition Platforms in the Formal Economy -- 8. The Semi-Formal and Informal Economies of Film Distribution and Exhibition -- 9. The Philippine Film Industry, the State, and Cultural Policy -- 10. Conclusion: Forward to the Economy, Back to the Culture.
330   $aThis book explores the complex interplay of culture and economics in the context of Philippine cinema. It delves into the tension, interaction, and shifting movements between mainstream and independent filmmaking, examines the film distribution and exhibition systems, and investigates how existing business practices affect the sustainability of the independent sector. This book addresses the lack or absence of Asian representation in film distribution literature by supplying the much-needed Asian context and case study. It also advances the discourse of film distribution economy by expounding on the formal and semi-formal film distribution practices in a developing Asian country like the Philippines, where the thriving piracy culture is considered as ?normal,? and which is commonly depicted and discussed in existing literature. As such, this will be the first book that looks into the specifics of the Philippine film distribution and exhibition system and provides a historical grounding of its practices.
606   $aMotion pictures?Asia
606   $aMotion pictures$xProduction and direction
606   $aMotion pictures
606   $aEthnology?Asia
606   $aAsian Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413030
606   $aFilm and TV Production$3https://scigraph.springernature.com/ontologies/product-market-codes/413150
606   $aFilm/TV Industry$3https://scigraph.springernature.com/ontologies/product-market-codes/413170
606   $aAsian Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411040
615  0$aMotion pictures?Asia.
615  0$aMotion pictures$xProduction and direction.
615  0$aMotion pictures.
615  0$aEthnology?Asia.
615 14$aAsian Cinema and TV.
615 24$aFilm and TV Production.
615 24$aFilm/TV Industry.
615 24$aAsian Culture.
676   $a384.84
676   $a384.809599
700   $aLim$b Michael Kho$4aut$4http://id.loc.gov/vocabulary/relators/aut$01229738
906   $aBOOK
912   $a9910483328903321
996   $aPhilippine Cinema and the Cultural Economy of Distribution$92854564
997   $aUNINA