LEADER 03746nam 22005775 450 001 9910483299903321 005 20200930195348.0 010 $a3-030-15697-4 024 7 $a10.1007/978-3-030-15697-8 035 $a(CKB)4100000008048073 035 $a(MiAaPQ)EBC5771133 035 $a(DE-He213)978-3-030-15697-8 035 $a(EXLCZ)994100000008048073 100 $a20190425d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHanguk Hip Hop $eGlobal Rap in South Korea /$fby Myoung-Sun Song 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (202 pages) 225 1 $aEast Asian Popular Culture,$x2634-5935 311 $a3-030-15696-6 327 $a1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop. 330 $aHow has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran?personal and societal anxiety and uncertainty?and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society. Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture. 410 0$aEast Asian Popular Culture,$x2634-5935 606 $aEthnology?Asia 606 $aMusic 606 $aPopular Culture 606 $aCulture 606 $aAsian Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411040 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aGlobal/International Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411160 615 0$aEthnology?Asia. 615 0$aMusic. 615 0$aPopular Culture. 615 0$aCulture. 615 14$aAsian Culture. 615 24$aMusic. 615 24$aPopular Culture . 615 24$aGlobal/International Culture. 676 $a306.484249 676 $a781.649095195 700 $aSong$b Myoung-Sun$4aut$4http://id.loc.gov/vocabulary/relators/aut$01230097 906 $aBOOK 912 $a9910483299903321 996 $aHanguk Hip Hop$92855366 997 $aUNINA