LEADER 03652nam 22006135 450 001 9910483233303321 005 20250610110326.0 010 $a9783030380656 010 $a3030380653 024 7 $a10.1007/978-3-030-38065-6 035 $a(CKB)4100000011610120 035 $a(MiAaPQ)EBC6413207 035 $a(DE-He213)978-3-030-38065-6 035 $a(Perlego)3481222 035 $a(MiAaPQ)EBC29092456 035 $a(EXLCZ)994100000011610120 100 $a20201125d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCultural Economy and Television in Jamaica and Ghana $e#decolonization2point0 /$fby Deborah Hickling Gordon 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource (XVII, 194 p.) 311 08$a9783030380649 311 08$a3030380645 327 $a1. Introduction -- 2. Decolonizing Television: Overstanding the Emerging Cultural Economy -- 3. Colonization to Liberalization: Cultural Institution to Cultural Economy, Television in Ghana and Jamaica, 1957 to 1997 -- 4. Cultural Institution to Audiovisual Subsector of Ghana's Emerging Cultural Economy -- 5. Liberalization without Preparation: The Case of Television in Jamaica -- 6. Decolonizing Television: Jamaica's Economy and The Cultural Sector -- 7. The Healing Stream...of Consciousness. 330 $aThis book proposes contemporary decolonization as an approach to developing cultural economies in the Global South. It presents the account of the transformation of television in Jamaica and Ghana to audiovisual subsectors; from cultural institutions to cultural industries and then subsectors of emerging cultural economies as representative case studies. 'Glocal' changes are presented within five organizing phenomena: philosophical, ideological, and economic change, and their impact on governance and the operational transformation of the television sectors of Jamaica and Ghana. This book represents the first critical examination and comparison of cultural and creative industries (CCI) and economy concepts in the Caribbean and Africa. It is an original contribution to the development of strategies that influence processes, structures, and policies related to the cultural economy concept and those required to improve television industries. This process of describing culturally specific characteristics of CCI is designed to be applicable to the CCI of developing countries including those in Africa and the Caribbean, where interpretations and implementation suited for advanced industrial nations have been insufficiently questioned and challenged. 606 $aMass media$xPolitical aspects 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aMotion pictures$zAfrica 606 $aMedia Policy and Politics 606 $aFilm and Television Industry 606 $aAfrican Film and TV 615 0$aMass media$xPolitical aspects. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 0$aMotion pictures 615 14$aMedia Policy and Politics. 615 24$aFilm and Television Industry. 615 24$aAfrican Film and TV. 676 $a302.23 676 $a302.234509667 700 $aGordon$b Deborah Hickling$0915537 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483233303321 996 $aCultural economy and television in Jamaica and Ghana$92052297 997 $aUNINA