LEADER 03059nam 22005775 450 001 9910483223903321 005 20250609111530.0 010 $a9783030304614 010 $a3030304612 024 7 $a10.1007/978-3-030-30461-4 035 $a(CKB)4100000009844817 035 $a(MiAaPQ)EBC5983480 035 $a(DE-He213)978-3-030-30461-4 035 $a(Perlego)3494531 035 $a(MiAaPQ)EBC5983455 035 $a(EXLCZ)994100000009844817 100 $a20191120d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisplacements $eReading Space and Time in Moving Image Installations /$fby Alison Butler 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (181 pages) $cillustrations 225 1 $aPalgrave Close Readings in Film and Television,$x2634-6141 311 08$a9783030304607 311 08$a3030304604 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. NOW and then -- 3. Imaginary museums and immaterial objects -- 4. Circulating -- 5. The visitor, the wanderer and the migrant -- 6. War zones -- 7. Epilogue. . 330 $aThis book is about the aesthetics and politics of contemporary artists' moving image installations, and the ways that they use temporal and spatial relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, biennales and large-scale exhibitions all over the world has created venues and audiences for it. Despite its 20th century precursors, this is a new and distinct artistic form, with an emerging body of thematic concerns and aesthetics strategies. Through detailed analysis of a range of important 21st century works, the book explores how this spatio-temporal form has been used to address major issues of our time, including post-colonialism, migration and conflict. Paying close attention to the ways in which moving images interact with the specific spaces and sites of exhibition, the book explores the mobile viewer's experiences in these immersive and transitory works. 410 0$aPalgrave Close Readings in Film and Television,$x2634-6141 606 $aMotion pictures 606 $aArts 606 $aClose Readings in Film and TV 606 $aArts 615 0$aMotion pictures. 615 0$aArts. 615 14$aClose Readings in Film and TV. 615 24$aArts. 676 $a776 676 $a709.051 700 $aButler$b Alison$4aut$4http://id.loc.gov/vocabulary/relators/aut$01224397 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483223903321 996 $aDisplacements$92841958 997 $aUNINA