LEADER 01341nam0-2200349 --450 001 9910510795303321 005 20211221094609.0 010 $a978-88-551-8125-9 010 $a978-88-551-8126-6$bPDF 010 $a978-88-551-8127-3$bePub 010 $a978-88-551-8128-0$bXML 100 $a20211221d2020----kmuy0itay5050 ba 101 0 $aita$cita 102 $aIT 105 $aa 001yy 200 1 $aDiversamente scienza$eatti del convegno su genere e scienza, organizzato dalla Conferenza nazionale degli organismi di parità e dal CUG dell'Università di Firenze il 12 ottobre 2018$fedited by Brunella Casalini, Patrizia Tomio 210 $aFirenze$cFirenze University Press$d2020 215 $a96 p.$cill.$d24 cm 225 1 $aComitato unico di garanzia$v2 610 0 $aRicerca scientifica$aRuolo [delle] Donne$aAtti di congressi 676 $a305.435$v21$zita 702 1$aTomio,$bPatrizia 702 1$aCasalini,$bBrunella 712 02$aConferenza nazionale degli organismi di parità delle università italiane$4570 712 01$aUniversità degli studi di Firenze$b: Comitato unico di garanzia$4570 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910510795303321 952 $aCOLLEZ. 2855 (2)$b1280/2021$fFSPBC 959 $aFSPBC 996 $aDiversamente scienza$92557101 997 $aUNINA LEADER 02989nam 22005775 450 001 9910483203503321 005 20230810164552.0 010 $a9783030169329 010 $a3030169324 024 7 $a10.1007/978-3-030-16932-9 035 $a(CKB)4100000008280657 035 $a(MiAaPQ)EBC5780002 035 $a(DE-He213)978-3-030-16932-9 035 $a(Perlego)3493630 035 $a(EXLCZ)994100000008280657 100 $a20190521d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWax Impressions, Figures, and Forms in Early Modern Literature $eWax Works /$fby Lynn M. Maxwell 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (231 pages) 225 1 $aEarly Modern Cultural Studies 1500-1700,$x2634-5900 311 08$a9783030169312 311 08$a3030169316 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Wax Concepts -- 2. Wax Seals: Gendered Relations in Shakespeare -- 3. Wax Minds: Writing Subjectivity and Agency in Hamlet and The Atheist's Tragedy -- 4. Wax Patterning: Cavendish and the Physics of Wax -- 5. Wax Arts: Projects of Transformation in Webster's The Duchess of Malfi and Donne's Sappho to Philaenis -- 6.Wax Hybrids: Re-thinking Subjects and Objects in Ovid, Paré, Descartes, and Spenser -- 7. Epilogue: A Figure of Wax. 330 $aThis book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist's studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine. . 410 0$aEarly Modern Cultural Studies 1500-1700,$x2634-5900 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aLiterature$xHistory and criticism 606 $aDrama 606 $aEarly Modern and Renaissance Literature 606 $aLiterary History 606 $aDrama 615 0$aEuropean literature 615 0$aLiterature$xHistory and criticism. 615 0$aDrama. 615 14$aEarly Modern and Renaissance Literature. 615 24$aLiterary History. 615 24$aDrama. 676 $a820.8004 676 $a820.9003 700 $aMaxwell$b Lynn M$4aut$4http://id.loc.gov/vocabulary/relators/aut$01225470 906 $aBOOK 912 $a9910483203503321 996 $aWax Impressions, Figures, and Forms in Early Modern Literature$92845221 997 $aUNINA