LEADER 03427nam 22005775 450 001 9910483067503321 005 20200930202319.0 010 $a3-030-51113-8 024 7 $a10.1007/978-3-030-51113-5 035 $a(CKB)4100000011363771 035 $a(MiAaPQ)EBC6275279 035 $a(DE-He213)978-3-030-51113-5 035 $a(EXLCZ)994100000011363771 100 $a20200731d2020 u| 0 101 0 $aeng 135 $aurbn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMise en scène, Acting, and Space in Comics$b[electronic resource] /$fby Geraint D'Arcy 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource 225 1 $aPalgrave Studies in Comics and Graphic Novels,$x2634-6370 300 $aIncludes index. 311 08$a3-030-51112-X 311 08$aOriginal 303051112X 9783030511128 (OCoLC)1155592512 327 $a1. Introduction -- 2. Mise en scène and Décor -- 3. Acting -- 4. Space -- 5. Conclusion. . 330 $a"This is a clear, concise, and very useful book for students, educators, and academics in the field of comic studies. It will be the 'go-to' book from now on and help us all feel more comfortable using 'mise en scène' in our conversations, debates, and analyses of comic books." ?Ian Hornsby, University of Chichester, United Kingdom This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. ?Mise en scène? is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Geraint D?Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019). A Lecturer in Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium. 410 0$aPalgrave Studies in Comics and Graphic Novels,$x2634-6370 606 $aComic books, strips, etc 606 $aStage management 606 $aMotion pictures 606 $aComics Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/411250 606 $aTechnology and Stagecraft$3https://scigraph.springernature.com/ontologies/product-market-codes/415060 606 $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090 615 0$aComic books, strips, etc. 615 0$aStage management. 615 0$aMotion pictures. 615 14$aComics Studies. 615 24$aTechnology and Stagecraft. 615 24$aFilm Theory. 676 $a741.59 700 $aD'Arcy$b Geraint$4aut$4http://id.loc.gov/vocabulary/relators/aut$01229787 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483067503321 996 $aMise en scène, Acting, and Space in Comics$92854661 997 $aUNINA