LEADER 04170nam 22006135 450 001 9910483060103321 005 20240220062038.0 010 $a3-030-43298-X 024 7 $a10.1007/978-3-030-43298-0 035 $a(CKB)5310000000016587 035 $a(MiAaPQ)EBC6235671 035 $a(DE-He213)978-3-030-43298-0 035 $a(EXLCZ)995310000000016587 100 $a20200622d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCircus, Science and Technology $eDramatising Innovation /$fedited by Anna-Sophie Jürgens 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xx, 189 pages) $cillustrations 225 1 $aPalgrave Studies in Performance and Technology 311 $a3-030-43297-1 327 $a1. Chapter 1: Circus Matters: Engineering, Imagineering and Popular Stages of Technology: Introduction; Anna-Sophie Jürgens -- 2. Chapter 2: Engineers of Curiosity: the Barnum Era; Jane Goodall -- 3. Chapter 3: Unreal Limbs: Erin Ball and The Extended Body in Contemporary Circus; Katie Lavers and Jon Burtt, with Erin Ball -- 4. Chapter 4: Circus as Laboratory: Imagineering Legitimacy; Mark St Leon -- 5. Chapter 5: Circus and Electricity: Staging Connexions between Science and Popular Entertainments; Gillian Arrighi -- 6. Chapter 6: Technologies of Risk, Fear and Fun: Human and Nonhuman Circus Performance; Peta Tait -- 7. Chapter 7: The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slides; Martyn Jolly and Elisa deCourcy -- 8. Chapter 8: The Circus and Technologies of Animation; Ruth Richards -- 9. Chapter 9: Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fiction; Anna-Sophie Jürgens and Robert C. Williamson. 330 $aThis book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars ? from fields as varied as performance and circus studies, art, media and cultural history, and engineering ? the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations ? imaginaries ? of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology. 410 0$aPalgrave Studies in Performance and Technology 606 $aStage management 606 $aTheater?History 606 $aTheater 606 $aPerforming arts 606 $aTechnology and Stagecraft$3https://scigraph.springernature.com/ontologies/product-market-codes/415060 606 $aTheatre History$3https://scigraph.springernature.com/ontologies/product-market-codes/415010 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 615 0$aStage management. 615 0$aTheater?History. 615 0$aTheater. 615 0$aPerforming arts. 615 14$aTechnology and Stagecraft. 615 24$aTheatre History. 615 24$aContemporary Theatre. 615 24$aPerforming Arts. 676 $a791.3 676 $a301 702 $aJürgens$b Anna-Sophie$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483060103321 996 $aCircus, Science and Technology$92291626 997 $aUNINA