LEADER 03641nam 22005655 450 001 9910483007103321 005 20200701201147.0 010 $a3-030-39153-1 024 7 $a10.1007/978-3-030-39153-9 035 $a(CKB)4100000011223435 035 $a(MiAaPQ)EBC6188968 035 $a(DE-He213)978-3-030-39153-9 035 $a(EXLCZ)994100000011223435 100 $a20200429d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCharting Scottish Tourism and the Early Scenic Film $eAccess, Identity and Landscape /$fby Samantha Wilson 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource (146 pages) 311 $a3-030-39152-3 327 $aChapter 1: Home and Away: The Rise of the Walking Tour and Guide Book -- Chapter 2: Mapping, Ordering, and Recording: Charles Urban?s Bonnie Scotland and the Heritage Tour -- Chapter 3: Reclaiming Space and Fortifying Identity: Working Class Travel during the Glasgow Fair -- Chapter 4: I Never Leave Home Without It: Filming the Family Holiday. . 330 $aWhat impact did walking tours and scenic films have on leisure activities? In what ways did working class travel disrupt normative narratives concerning nature and identity? The appreciation of nature and leisure travel have a complex and interrelated history in Scotland. In Charting Scottish Tourism, Wilson looks at how scenic filmmaking altered the construction of the tourist map and spatial identities at the turn of the 20th Century. Scenic film, the author argues, played a key role in the expansion of regional travel and national tourism during the period. In addition, scenic film provides the modern researcher with an unrivalled source of documentary evidence relating to the manner in which Scottish working and middle class communities explored and reclaimed the natural spaces around them. The author examines the central role of the Scottish scenic within leisure performances and the way in which these films promoted and challenged normative spatial narratives. These discursive shifts, she argues, had a wide-reaching impact on popular assumptions concerning space, nature and identity both home and away. Charting Scottish Tourism provides a fascinating case study and numerous methodological insights for students and researchers interested in documentary film as well as the construction of identity and the natural world. 606 $aMotion pictures?Great Britain 606 $aTourism 606 $aManagement 606 $aMotion pictures?History 606 $aBritish Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413040 606 $aTourism Management$3https://scigraph.springernature.com/ontologies/product-market-codes/527050 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 615 0$aMotion pictures?Great Britain. 615 0$aTourism. 615 0$aManagement. 615 0$aMotion pictures?History. 615 14$aBritish Cinema and TV. 615 24$aTourism Management. 615 24$aFilm History. 676 $a338.4791411 676 $a791.4309 700 $aWilson$b Samantha$4aut$4http://id.loc.gov/vocabulary/relators/aut$0867467 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910483007103321 996 $aCharting Scottish Tourism and the Early Scenic Film$91936213 997 $aUNINA