LEADER 03931nam 22005895 450 001 9910482962503321 005 20240724134233.0 010 $a9783030187606 010 $a3030187608 024 7 $a10.1007/978-3-030-18760-6 035 $a(CKB)4100000008339446 035 $a(MiAaPQ)EBC5781548 035 $a(DE-He213)978-3-030-18760-6 035 $a(Perlego)3495115 035 $a(EXLCZ)994100000008339446 100 $a20190529d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNature and Space in Contemporary Scottish Writing and Art /$fby Camille Manfredi 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (224 pages) 225 1 $aGeocriticism and Spatial Literary Studies,$x2634-5188 311 08$a9783030187590 311 08$a3030187594 327 $a1. Chapter 1/ 'Our Land': an introduction -- 2. Chapter 2/ Keeping the paths beaten: Robert Macfarlane, Linda Cracknell and Stuart McAdam's hodological Scotland -- 3. Chapter 3 / Land made by walking: Andrew Greig, Thomas A. Clark, Hamish Fulton, or, the art of passing through -- 4. Chapter 4 / Spacings: Gerry Loose and Kathleen Jamie's interspecies relationalities -- 5. Chapter 5 / Into the Fold: Kathleen Jamie and John Burnside's oikopoetics -- 6. Chapter 6/ Things of space: Andy Goldsworthy's Sheepfolds and Alec Finlay's Company of Mountains, or, materialising as re-siting -- 7. Chapter 7 / Soundmarks and ecotones: ensounding Scotland -- 8. Chapter 8 / Filming Space: transenunciation as re-production. Susan Kemp's Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt's Quoys -- 9. Chapter 9 / The hyperzone: is there a space on this screen? -- 10. Chapter 10 / Conclusion. 330 $aThis book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland's twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complexrenegotiation with the time and space of Scotland. 410 0$aGeocriticism and Spatial Literary Studies,$x2634-5188 606 $aEuropean literature 606 $aLiterature, Modern$y20th century 606 $aLiterature, Modern$y21st century 606 $aCommunication in the environmental sciences 606 $aEuropean Literature 606 $aContemporary Literature 606 $aEnvironmental Communication 615 0$aEuropean literature. 615 0$aLiterature, Modern 615 0$aLiterature, Modern 615 0$aCommunication in the environmental sciences. 615 14$aEuropean Literature. 615 24$aContemporary Literature. 615 24$aEnvironmental Communication. 676 $a820.99411 676 $a820.99411 700 $aManfredi$b Camille$4aut$4http://id.loc.gov/vocabulary/relators/aut$01224771 906 $aBOOK 912 $a9910482962503321 996 $aNature and Space in Contemporary Scottish Writing and Art$92843800 997 $aUNINA