LEADER 03729nam 22006735 450 001 9910481964103321 005 20250609111434.0 010 $a9783030246167 010 $a3030246167 024 7 $a10.1007/978-3-030-24616-7 035 $a(CKB)4100000009678448 035 $a(MiAaPQ)EBC5971202 035 $a(DE-He213)978-3-030-24616-7 035 $a(Perlego)3490920 035 $a(MiAaPQ)EBC5969353 035 $a(EXLCZ)994100000009678448 100 $a20191029d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransmediating the Whedonverse(s) $eEssays on Texts, Paratexts, and Metatexts /$fedited by Juliette C. Kitchens, Julie L. Hawk 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (221 pages) 311 08$a9783030246150 311 08$a3030246159 327 $aChapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon's World(s) -- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom -- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes -- Chapter 4: Transmediating the Whedon Classroom -- Chapter 5: "This is the next me": The Evolution of AI in the Whedonverse -- Chapter 6: "You're not the source of me": Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer's Fourth Season -- Chapter 7: "To Speak Against an Opponent Eloquently Makes You an Unusual Personage": Joss Whedon as Deleuzian 'Minor Writer' -- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears -- Chapter 9: A Brief Note on Looking Forward -- Index. . 330 $aThis book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon's storyworlds, or 'verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon's lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences. . 606 $aPopular culture 606 $aFilm genres 606 $aCommunication 606 $aEthnology$zAmerica 606 $aCulture 606 $aPopular Culture 606 $aGenre Studies 606 $aMedia and Communication 606 $aAmerican Culture 615 0$aPopular culture. 615 0$aFilm genres. 615 0$aCommunication. 615 0$aEthnology 615 0$aCulture. 615 14$aPopular Culture. 615 24$aGenre Studies. 615 24$aMedia and Communication. 615 24$aAmerican Culture. 676 $a791.430233092 676 $a791.450233092 702 $aKitchens$b Juliette C$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aHawk$b Julie L$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910481964103321 996 $aTransmediating the Whedonverse(s)$92848349 997 $aUNINA