LEADER 01665nam 2200253la 450 001 9910481182403321 005 20210618143000.0 035 $a(UK-CbPIL)2090352330 035 $a(CKB)5500000000084520 035 $a(EXLCZ)995500000000084520 100 $a20210618d1534 uy | 101 0 $alat 135 $aurcn||||a|bb| 200 10$aOppiani poetae Alieuticon, siue De piscibus, libri quinque è graeco traducti ... Post Oppianum sequuntur Disticha ultra centum de rebus uarijs oppido que elegantissima, authore Laurentio Lippio Collensi, interprete librorum quinque Oppiani. C. Plinii Secundi Naturalis historiae libri duo ... Pauli item Iouii De piscibus liber unus. ... Hos non contemnendos authores Ioannem Caesarius ... ad perpendiculum recognouit, castigauit, simulque & scholijs passim explanauit$b[electronic resource] 210 $aStrasbourg $c[s.n.]$d1534 215 $aOnline resource ([4], 152 c., 4º) 300 $aReproduction of original in Biblioteca Nazionale Centrale di Firenze. 700 $aOppian$f active 2nd century.$0186805 801 0$bUk-CbPIL 801 1$bUk-CbPIL 906 $aBOOK 912 $a9910481182403321 996 $aOppiani poetae Alieuticon, siue De piscibus, libri quinque è graeco traducti ... Post Oppianum sequuntur Disticha ultra centum de rebus uarijs oppido que elegantissima, authore Laurentio Lippio Collensi, interprete librorum quinque Oppiani. C. Plinii Secundi Naturalis historiae libri duo ... Pauli item Iouii De piscibus liber unus. ... Hos non contemnendos authores Ioannem Caesarius ... ad perpendiculum recognouit, castigauit, simulque & scholijs passim explanauit$92038505 997 $aUNINA LEADER 06598oam 22010934a 450 001 9910967627903321 005 20230605182018.0 010 $a9781501758102 010 $a1501758101 010 $a9781609090753 010 $a1609090756 024 7 $a10.1515/9781501758102 035 $a(CKB)4100000009825743 035 $a(MiAaPQ)EBC5972250 035 $a(DE-B1597)572267 035 $a(DE-B1597)9781501758102 035 $a(OCoLC)1287099140 035 $a(MdBmJHUP)musev2_83630 035 $a(Perlego)1038950 035 $a(EXLCZ)994100000009825743 100 $a20121130h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhen Art Makes News$eWriting Culture and Identity in Imperial Russia /$fKatia Dianina 210 1$d[2013]$aDeKalb, IL :$cNIU Press, 215 $a1 online resource (297 pages) 225 0 $aNIU Series in Slavic, East European, and Eurasian Studies 311 1 $a9780875804606 311 1 $a0875804608 327 $aThe predicament of Russian culture -- National culture: a conceptual reading -- What's in a term -- An interdisciplinary paradigm for the study of Russian culture -- The evolution of cultural discourse -- A crisis of culture -- Launching the discourse: international exhibitions and Russian texts -- "The great exhibition and the little one" -- Writing the Crystal Palace: Russian readings and misreadings -- The discovery of the Russian style, circa 1851 -- The Russian School of Art at the International Exhibition, 1862 -- Art and society: gathering culture, writing identity -- Defining Russia culturally: the national question and its representations -- The museum age in Russia -- The newspaper boom of the 1860s -- The feuilleton, or Russian culture "lite" -- Russian art as controversy -- Discursive practices -- Institutions and debates: negotiating art and power -- The millennium monument, 1862 -- The imperial Hermitage -- Narratives of the Academy of Fine Arts -- The Russian art world in the news: painting and controversy -- "Realism and nationality": the rise of a Russian realist aesthetics -- Art in motion: the itinerant exhibitions and the Tretiakov Gallery of Art -- Art for the public? The Russian Museum of Alexander III -- Built out of words: history and stylization -- Culture in the Russian style -- Moscow, the seat of national culture -- "A festival of public activity": the birth of the Historical Museum, 1872-1883 -- National revival writ large: from a cult of antiquity to a souvenir identity -- The Russian cult of antiquity -- Reinventing tradition in Abramtsevo, Talashkino, and beyond -- Tales of a national revival: the Snow Maiden and Lefty -- The triumph of Berendeevka: the making of Russian souvenir identity, Paris 1900 -- Epilogue. The world of art in the news: culture wars at the turn of the century. 330 $aFrom the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and in popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press. At the heart of Dianina's study is a paradox: how did culture become the national idea in a country where few were educated enough to appreciate it? Dianina questions the traditional assumptions that culture in tsarist Russia was built primarily from the top down and classical literature alone was responsible for imagining the national community. 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