LEADER 00963nam0-2200313---450- 001 990010063490403321 005 20160415133526.0 010 $a978-88-568-5608-8 035 $a001006349 035 $aFED01001006349 035 $a(Aleph)001006349FED01 035 $a001006349 100 $a20160415d2015----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aStoria della formazione professionale in Italia$edall'uomo da lavoro al lavoro per l'uomo$fNicola D'Amico$gPrefazione di Giuseppe De Rita 210 $aMilano$cFrancoAngeli$d2015 215 $a697 p.$cill.$d24 cm 610 0 $aFormazione professionale$aItalia$aStoria 676 $a370.1130945$v22$zita 700 1$aD'Amico,$bNicola 702 1$aDe Rita,$bGiuseppe$f<1932- > 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990010063490403321 952 $aCollez. 2173 (1399)$b1005/2016$fFSPBC 959 $aFSPBC 997 $aUNINA LEADER 04808nam 22007215 450 001 9910481048203321 005 20210716234415.0 010 $a0-8135-7083-2 024 7 $a10.36019/9780813570839 035 $a(CKB)3710000000828980 035 $a(PQKBManifestationID)16222683 035 $a(PQKBWorkID)14837635 035 $a(PQKB)21535229 035 $a(MiAaPQ)EBC4647677 035 $a(OCoLC)930364369 035 $a(MdBmJHUP)muse55801 035 $a(DE-B1597)526204 035 $a(DE-B1597)9780813570839 035 $a(EXLCZ)993710000000828980 100 $a20190904d2016 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEditing and Special/Visual Effects /$fCharlie Keil, Kristen Whissel 210 1$aNew Brunswick, NJ :$cRutgers University Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (278 pages) $cillustrations 225 0 $aBehind the Silver Screen Series 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8135-7081-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction /$rWhissel, Kristen / Keil, Charlie --$t1. The Silent Screen, 1895-1927: Editing /$rHiggins, Scott --$t2. The Silent Screen, 1895-1927: Special/Visual Effects /$rNorth, Dan --$t3. Classical Hollywood, 1928-1946: Editing /$rMonticone, Paul --$t4. Classical Hollywood, 1928-1946: Special/Visual Effects /$rRogers, Ariel --$t5. Postwar Hollywood, 1947-1967: Editing /$rPolan, Dana --$t6. Postwar Hollywood, 1947-1967: Special/Visual Effects /$rTurnock, Julie --$t7. The Auteur Renaissance, 1968-1980: Editing /$rWright, Benjamin --$t8. The Auteur Renaissance, 1968-1980: Special/Visual Effects /$rTurnock, Julie --$t9. The New Hollywood, 1981-1999: Editing /$rOverpeck, Deron --$t10. The New Hollywood, 1981-1999: Special/Visual Effects /$rPurse, Lisa --$t11. The Modern Entertainment Marketplace, 2000-Present: Editing /$rDhir, Meraj --$t12. The Modern Entertainment Marketplace, 2000-Present: Special/Visual Effects /$rAllison, Tanine --$tAcademy Awards For Editing --$tAcademy Awards For Special/Visual Effects --$tNotes --$tGlossary --$tSelected Bibliography --$tNotes On Contributors --$tIndex 330 $aMost moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the "trick films" of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood's rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve. 410 0$aBehind the silver screen (Series) ;$v6. 606 $aCinematography$xSpecial effects 606 $aMotion pictures$xEditing 608 $aElectronic books. 615 0$aCinematography$xSpecial effects. 615 0$aMotion pictures$xEditing. 676 $a777/.55 701 $aAllison$b Tanine$01031533 701 $aDhir$b Meraj$01031534 701 $aHiggins$b Scott$01031535 701 $aKeil$b Charlie$0778202 701 $aMonticone$b Paul$01031536 701 $aNorth$b Dan$01031537 701 $aOverpeck$b Deron$01031538 701 $aPolan$b Dana$01031539 701 $aPurse$b Lisa$01031540 701 $aRogers$b Ariel$01031541 701 $aTurnock$b Julie$01031542 701 $aWhissel$b Kristen$01031543 701 $aWright$b Benjamin$0328282 702 $aKeil$b Charlie 702 $aWhissel$b Kristen 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910481048203321 996 $aEditing and Special$92448938 997 $aUNINA