LEADER 04213nam 22008535 450 001 9910481029803321 005 20210826022112.0 010 $a1-64469-286-4 024 7 $a10.1515/9781644692868 035 $a(CKB)4100000010327563 035 $a(MiAaPQ)EBC6109893 035 $a(DE-B1597)544475 035 $a(DE-B1597)9781644692868 035 $a(OCoLC)1128063772 035 $a(EXLCZ)994100000010327563 100 $a20200406h20202020 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVladimir Sorokin's Discourses $eA Companion /$fDirk Uffelmann 210 1$aBoston, MA :$cAcademic Studies Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (ix, 225 pages) 225 0 $aCompanions to Russian Literature 311 0 $a1-64469-284-8 327 $tFront matter --$tTable of Contents --$tAcknowledgments --$tA Note on Transliteration, Translation, and Referencing --$tDisclaimer --$t1. Introduction: The Late Soviet Union and Moscow's Artistic Underground --$t2. The Queue and Collective Speech --$t3. The Norm and Socialist Realism --$t4. Marina's Thirtieth Love and Dissident Narratives --$t5. A Novel and Classical Russian Literature --$t6. A Month in Dachau and Entangled Totalitarianisms --$t7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia --$t8. Blue Lard and Pulp Fiction --$t9. Ice and Esoteric Fanaticism-a New Sorokin? --$t10. Day of the Oprichnik and Political (Anti-)Utopias --$t11. The Blizzard and Self-References of a Meta-Classic --$t12. Manaraga and Reactionary Anti-Globalism --$t13. Discontinuity in Continuity: Prospects --$tBibliography --$tIndex 330 $aVladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses. 410 0$aCompanions to Russian literature. 606 $aRussian prose literature$y20th century$xHistory and criticism 606 $aRussian prose literature$y21st century$xHistory and criticism 608 $aElectronic books. 610 $aA Month in Dachau. 610 $aA Novel. 610 $aBlue Lard. 610 $aDay of the Oprichnik. 610 $aIce. 610 $aManaraga. 610 $aMarina's Thirtieth Love. 610 $aMoscow art scene. 610 $aPutin. 610 $aRussian literature. 610 $aSocialist Realism. 610 $aThe Blizzard. 610 $aThe Norm. 610 $aThe Queue. 610 $abook burning. 610 $acensorship. 610 $acontemporary. 610 $adissidence. 610 $adystopia. 610 $amodern. 610 $aneo-imperialism. 610 $aneo-nationalism. 610 $apolitical commentary. 610 $apost-Soviet. 610 $apostmodernism. 610 $apulp fiction. 610 $asex. 610 $ataboos. 610 $atotalitarianism. 610 $aviolence. 610 $avulgar language. 615 0$aRussian prose literature$xHistory and criticism. 615 0$aRussian prose literature$xHistory and criticism. 676 $a891.73/5 700 $aUffelmann$b Dirk$4aut$4http://id.loc.gov/vocabulary/relators/aut$01044210 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910481029803321 996 $aVladimir Sorokin's Discourses$92469719 997 $aUNINA