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035   $a(OCoLC)978351990
035   $a(MdBmJHUP)muse65317
035   $a(MiAaPQ)EBC5051439
035   $a(EXLCZ)994340000000204223
100   $a20171018h20172017  uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSonata fragments $eromantic narratives in Chopin, Schumann, and Brahms /$fAndrew Davis
210  1$aBloomington, Indiana :$cIndiana University Press,$d2017.
210  4$dİ2017
215   $a1 online resource (pages cm)
225 1 $aMusical Meaning and Interpretation
311   $a0-253-02893-0 
311   $a0-253-02533-8 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: romantic musical discourse, or, a rhetoric of romantic music -- Fragmentation and atemporality -- Fragmentation: aesthetics of nineteenth-century romanticism -- Atemporality in narrative and music -- Structural and rhetorical strategies in music with and without text -- Music with text: two slow movements by Brahms -- Music without text: forms of atemporality -- Brahms's piano sonatas -- Treatment of the medial caesura -- Treatment of the s-space -- Treatment of the development and recapitulation -- Treatment of the slow introduction and coda.
410  0$aMusical meaning and interpretation.
606   $aSonata$y19th century
608   $aElectronic books.
615  0$aSonata
676   $a786.2/18309
700   $aDavis$b Andrew C.$f1973-$0862681
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910481022203321
996   $aSonata fragments$92119995
997   $aUNINA