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035   $a(MdBmJHUP)muse59577
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100   $a20151229d2015      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aFilm modernism$fSam Rohdie
210  1$aManchester :$cManchester University Press,$d2015.
210  3$aBaltimore, Md. :$cProject MUSE, $d2017
210  4$dİ2015.
215   $a1 online resource
300   $aPreviously issued in print: 2015.
311   $a0-7190-9928-5 
311   $a1-78499-263-1 
320   $aIncludes bibliographical references.
330 8 $aSam Rohdie presents a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of 50 categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework.
606   $aModernism (Aesthetics)
606   $aMotion pictures$xHistory
608   $aElectronic books. 
615  0$aModernism (Aesthetics)
615  0$aMotion pictures$xHistory.
676   $a791.436112
700   $aRohdie$b Sam$f1939-$0777341
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910480841503321
996   $aFilm modernism$92471403
997   $aUNINA