LEADER 02929nam 2200697 a 450 001 9910480781203321 005 20170816120304.0 010 $a1-4522-0410-1 010 $a1-4129-2658-0 010 $a1-4522-2276-2 035 $a(CKB)2550000000108045 035 $a(EBL)996424 035 $a(OCoLC)809771912 035 $a(SSID)ssj0000704688 035 $a(PQKBManifestationID)12219965 035 $a(PQKBTitleCode)TC0000704688 035 $a(PQKBWorkID)10720101 035 $a(PQKB)10458112 035 $a(SSID)ssj0000697327 035 $a(PQKBManifestationID)12331879 035 $a(PQKBTitleCode)TC0000697327 035 $a(PQKBWorkID)10691543 035 $a(PQKB)10630668 035 $a(MiAaPQ)EBC996424 035 $a(OCoLC)804847835 035 $a(StDuBDS)EDZ0000076846 035 $a(EXLCZ)992550000000108045 100 $a20120418d2007 fy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aConsensus organizing$b[electronic resource] $ebuilding communities of mutual self-interest /$fMike Eichler 210 $aThousand Oaks, Calif. ;$aLondon $cSAGE$dc2007 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 $a1-4522-3622-4 311 $a1-322-30606-0 311 $a1-4129-2659-9 320 $aIncludes bibliographical references and index. 327 $aCOVER; CONTENTS; INTRODUCTION; 1 - COMMUNITY ORGANIZING; 2 - EVOLUTION OF CONSENSUS ORGANIZING; 3 - ISSUES ANALYSIS; 4 - PROGRAM DESIGN; 5 - CULTURAL COMPETENCY IN CONSENSUS ORGANIZING; 6 - CONSENSUS ORGANIZING STRATEGIES AND TACTICS; 7 - DEVELOPING EXTERNAL RELATIONSHIPS; 8 - FORMING PARTNERSHIPS; 9 - BUILDING PERSONAL RELATIONSHIPS; 10 - BUILDING INSTITUTIONAL RELATIONSHIPS; 11 - DEVELOPING YOUNG ORGANIZERS; 12 - USING CONSENSUS ORGANIZING IN OTHER PROFESSIONS; 13 - THE FUTURE OF CONSENSUS ORGANIZING; "ANSWERS" TO REFLECTION QUESTIONS; INDEX; ABOUT THE AUTHOR 330 8 $aWritten in a logical, teachable, and pragmatic style,this book provides a model of social change for the 21st century. Through real examples, the author illustrates how anyone can practice consensus organizing and help the poor, forgotten, and disempowered. 606 $aCommunity organization$zUnited States 606 $aSocial action$zUnited States 606 $aConsensus (Social sciences)$zUnited States 606 $aCommunity development$zUnited States 608 $aElectronic books. 615 0$aCommunity organization 615 0$aSocial action 615 0$aConsensus (Social sciences) 615 0$aCommunity development 676 $a322.440973 676 $a361.2 700 $aEichler$b Mike$01044612 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910480781203321 996 $aConsensus organizing$92470359 997 $aUNINA LEADER 05400oam 2200721I 450 001 9910461915903321 005 20200520144314.0 010 $a1-283-64289-1 010 $a0-203-09781-5 010 $a1-136-22425-4 024 7 $a10.4324/9780203097816 035 $a(CKB)2670000000259388 035 $a(EBL)1039308 035 $a(OCoLC)812911667 035 $a(SSID)ssj0000758234 035 $a(PQKBManifestationID)11450993 035 $a(PQKBTitleCode)TC0000758234 035 $a(PQKBWorkID)10781392 035 $a(PQKB)10558649 035 $a(MiAaPQ)EBC1039308 035 $a(Au-PeEL)EBL1039308 035 $a(CaPaEBR)ebr10611742 035 $a(CaONFJC)MIL395539 035 $a(EXLCZ)992670000000259388 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aManga and the representation of Japanese history /$fedited by Roman Rosenbaum 205 $a1st ed. 210 1$aAbingdon, Oxon :$cRoutledge,$d2013. 215 $a1 online resource (297 p.) 225 1 $aRoutledge contemporary Japan series ;$v44 225 0$aRoutledge contemporary Japan series ;$v44 300 $aDescription based upon print version of record. 311 $a1-138-85740-8 311 $a0-415-69423-X 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Contents; Editor's notes; List of figures; Notes on contributors; Foreword; Acknowledgements; 1 Introduction: the representation of Japanese history in manga; 2 Sabotaging the rising sun: representing history in Tezuka Osamu's Phoenix; 3 Reading Sho?wa history through manga: Astro Boy as the avatar of postwar Japanese culture; 4 Representations of gendered violence in manga: the case of enforced military prostitution; 5 Maruo Suehiro's Planet of the Jap: revanchist fantasy or war critique? 327 $a6 Making history herstory: Nelson's son and Siebold's daughter in Japanese sho?jo manga7 Heroes and villains: manchukuo in Yasuhiko Yoshikazu's Rainbow Trotsky; 8 Making history: manga between kyara and historiography; 9 Postmodern representations of the pre-modern Edo period; 10 'Land of kami, land of the dead': paligenesis and the aesthetics of religious revisionism in Kobayashi Yoshinori's 'Neo-Go?manist Manifesto: on Yasukuni'; 11 Hating Korea, hating the media: Manga Kenkanryu? and the graphical (mis-)representation of Japanese history in the Internet age 327 $a12 The adaptation of Chinese history into Japanese popular culture: a study of Japanese manga, animated series and video games based on The Romance of the Three Kingdoms13 Towards a summation: how do manga represent history?; Selected research bibliography; Index 330 $a"This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The strategy of combining the narrative elements of writing with graphic art, the extensive narrative story-manga and its Western equivalent of the graphic novel, reflects the relatively new soft power of 'global' media, which have the potential to display history in previously unimagined ways. Boundaries of space and time in manga become as permeable as societies and cultures across the world. Each of the articles in this book investigates the authorship of history by looking at various different attempts to render Japanese history through the popular cultural media of the story-manga. As Carol Gluck, Tessa Morris-Suzuki, Susan Napier and others have shown, it has never been easy to encapsulate the complex narrative of emperor-based cyclical Japanese historical periods. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar/contemporary Japan. "--$cProvided by publisher. 410 0$aRoutledge Contemporary Japan Series 606 $aHistory in art 606 $aComic books, strips, etc$zJapan$xThemes, motives 606 $aArt and society$zJapan$xHistory$y20th century 606 $aArt and society$zJapan$xHistory$y21st century 608 $aElectronic books. 615 0$aHistory in art. 615 0$aComic books, strips, etc.$xThemes, motives. 615 0$aArt and society$xHistory 615 0$aArt and society$xHistory 676 $a741.5/952 701 $aRosenbaum$b Roman$0889154 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461915903321 996 $aManga and the representation of Japanese history$92297219 997 $aUNINA