LEADER 01083nam0-2200325 --450 001 9910246960403321 005 20180104125827.0 010 $a978-88-8420-822-4 020 $aIT$b2014-4721 100 $a20180102d2014----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aVicende di tutela in Friuli tra Ottocento e Novecento$emonumenti, oggetti d'arte e paesaggio$fMarco Mozzo e Martina Visentin$gcon un saggio di Annalisa Bristot 210 $aUdine$cForum$d2014 215 $a271 p.$cill.$d24 cm 225 1 $aFonti e testi 610 0 $aMonumenti$aConservazione [e] Tutela$aFriuli$aSec. 19.-20. 676 $a363.69094539$v23 676 $a720.288 700 1$aMozzo,$bMarco$0749121 701 1$aVisentin,$bMartina$f<1973- >$0749122 702 1$aBristot,$bAnnalisa 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910246960403321 952 $a720.288 MOZ 1$binserire inventario$fFLFBC 959 $aFLFBC 996 $aVicende di tutela in Friuli tra Ottocento e Novecento$91508523 997 $aUNINA LEADER 01823nam 2200553 450 001 9910480687503321 005 20170822123533.0 010 $a1-4704-1723-5 035 $a(CKB)3710000000386415 035 $a(SSID)ssj0001261079 035 $a(PQKBManifestationID)12486710 035 $a(PQKBTitleCode)TC0001261079 035 $a(PQKBWorkID)11320039 035 $a(PQKB)11754632 035 $a(MiAaPQ)EBC5295305 035 $a(PPN)195408721 035 $a(EXLCZ)993710000000386415 100 $a20180606d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTo an effective local Langlands correspondence /$fColin J. Bushnell, Guy Henniart 210 1$aProvidence, Rhode Island :$cAmerican Mathematical Society,$d[2014] 210 4$dİ2014 215 $a1 online resource (v, 88 pages) 225 1 $aMemoirs of the American Mathematical Society ;$vVolume 231, Number 1087 300 $a"Volume 231, number 1087 (fourth of 5 numbers), September 2014." 311 $a0-8218-9417-X 320 $aIncludes bibliographical references. 410 0$aMemoirs of the American Mathematical Society ;$x0065-9266.$vVolume 232, Number 1084. 606 $aAutomorphic forms 606 $aLocal fields (Algebra) 606 $aRepresentations of groups 608 $aElectronic books. 615 0$aAutomorphic forms. 615 0$aLocal fields (Algebra) 615 0$aRepresentations of groups. 676 $a512/.482 700 $aBushnell$b Colin J$g(Colin John),$f1947-$056721 702 $aHenniart$b Guy. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910480687503321 996 $aTo an effective local Langlands correspondence$92150737 997 $aUNINA LEADER 02693nam 2200505 450 001 9910790539003321 005 20230803021935.0 010 $a1-4804-1341-0 035 $a(CKB)2550000001127859 035 $a(EBL)1807777 035 $a(MiAaPQ)EBC1807777 035 $a(Au-PeEL)EBL1807777 035 $a(CaONFJC)MIL528493 035 $a(OCoLC)892245614 035 $a(EXLCZ)992550000001127859 100 $a20220517d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFacts and fancies $eessays written mostly for fun /$fPaul Taylor 210 1$aNew York, New York :$cDelphinium Books,$d[2013] 210 4$dİ2013 215 $a1 online resource (195 p.) 300 $aDescription based upon print version of record. 311 $a1-299-97242-X 327 $aCover; Title Page; Contents; Foreword; Introduction; Facts; Why I Make Dances; An Early Interview; Letters to Susie; The Redheaded Spiritualist; A Perplexing Situation; Boat Trip; Aureole; Martha Close Up; Clytemnestra; 911; Two Bozos Seen Through Glass: An Epiphany; The Strange Story of How I Chased...; Art; Fancies; Foreword to Private Domain; Reapplication to O.H.E.C.; How to Tell Ballet from Modern; In the Marceel Proust Suite of L''Hotel Continental; Fantasy About Joining the CIA; Death Wish; Tricks of the Trade; There is a Time; Limerick for Jennifer Tipton; The Last Thump 327 $aLove is a Dog from HellPoggie in the Quiet; The Shirley Temple Murders; Chapter One; Chapter Two; Michael, The Medium-sized Bee; My Dear Dogmatist; Acknowledgments; Copyright 330 $a"No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else's dance works look like his either-not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn't a calculated voice but a reflection of the way his quirky mind works." -From the foreword by Robert Gottlieb "Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: tra 606 $aDancers 606 $aModern dance 606 $aEssays 615 0$aDancers. 615 0$aModern dance. 615 0$aEssays. 676 $a792.8028092 700 $aTaylor$b Paul$f1930-2018,$01497358 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790539003321 996 $aFacts and fancies$93722440 997 $aUNINA