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610 0 $aEquazioni differenziali alle derivate parziali$aCongressi
610 0 $aProblemi al contorno libero$aCongressi
610 0 $aDisuguaglianze differenziali$aCongressi
610 0 $aEquazioni differenziali alle derivate parziali$aProblemi al contorno$aCongressi
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200 10$aCaldero?n y el barroco$b[electronic resource] $eexaltacio?n y engan?o de los sentidos /$fMari?a Alicia Amadei-Pulice
210   $aAmsterdam ;$aPhiladelphia $cJohn Benjamins Pub. Co.$d1990
215   $a1 online resource (271 p.)
225 1 $aPurdue University monographs in Romance languages,$x0165-8743 ;$vv. 31
300   $aDescription based upon print version of record.
311   $a1-55619-073-5 
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320   $aIncludes bibliographical references (p. 213-221).
327   $aCALDERO?N Y EL BARROCO Exaltacio?n y engan?o de los sentidos; Editorial page; Title page; Copyright page; Dedication; Table of contents; Lista de ilustraciones; Testimonios de gratitud; 1. Comedia y comedia de teatro; 2. Efectos sonoros del stile rappresentativo; 3. El valor de la perspectiva, sus ori?genes y aplicacio?n al teatro barroco; Conclusiones; Notas; Bibliografi?a; Ilustraciones
330   $aAmadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a revolution in the theory of representation, signs, and meanings that took place at the beginning of the seventeenth century and marked the appearance of a new dramatic style: the stile rappresentativo. Special attention is given to the techniques and applications of perspectival scenery, stagecraft, optics
410  0$aPurdue University monographs in Romance languages ;$vv. 31.
606   $aSpanish drama$yClassical period, 1500-1700$xHistory and criticism
606   $aSpanish drama$xItalian influences
606   $aBaroque literature$xHistory and criticism
606   $aTheater$zSpain$xHistory
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