LEADER 01898nam 2200493 450 001 9910480679703321 005 20210111155946.0 010 $a1-5261-0408-3 035 $a(CKB)4330000000005602 035 $a(StDuBDS)EDZ0001378497 035 $a(MiAaPQ)EBC4706462 035 $a(EXLCZ)994330000000005602 100 $a20150519e20162008 fy| 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aGreat Satan's rage $eAmerican negativity and rap/metal in the age of supercapitalism /$fScott Wilson$b[electronic resource] 210 1$aManchester :$cManchester University Press,$d2016. 215 $a1 online resource $cillustrations (black and white) 300 $aPreviously issued in print: 2008. 311 $a0-7190-9741-X 320 $aIncludes bibliographical references, discography and index. 330 8 $aThis title looks at how rap and metal, the two most pervasive popular music forms of the 1990s, have been highly engaged with America's role in the world, supercapitalism and their own role within it. 606 $aRap (Music)$xSocial aspects$zUnited States 606 $aRap (Music)$xEconomic aspects$zUnited States 606 $aHeavy metal (Music)$xSocial aspects$zUnited States 606 $aHeavy metal (Music)$xEconomic aspects$zUnited States 606 $aMusic and race$zUnited States 615 0$aRap (Music)$xSocial aspects 615 0$aRap (Music)$xEconomic aspects 615 0$aHeavy metal (Music)$xSocial aspects 615 0$aHeavy metal (Music)$xEconomic aspects 615 0$aMusic and race 676 $a306.4842490973 700 $aWilson$b Scott$f1962-$0959159 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910480679703321 996 $aGreat Satan's rage$92173255 997 $aUNINA