LEADER 03614nam 2200601 450 001 9910480596203321 005 20190826145055.0 010 $a90-04-35284-8 024 7 $a10.1163/9789004352841 035 $a(CKB)4100000000775623 035 $a(MiAaPQ)EBC5151505 035 $a(OCoLC)1012488210 035 $a(nllekb)BRILL9789004352841 035 $a(EXLCZ)994100000000775623 100 $a20171219h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aAffect, emotion, and subjectivity in early modern Muslim Empires $enew studies in Ottoman, Safavid, and Mughal art and culture /$fedited by Kishwar Rizvi 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2018. 210 4$dİ2018 215 $a1 online resource (234 pages) $ccolor illustrations 225 1 $aArts and Archaeology of the Islamic World,$x2213-3844 ;$vVolume 9 311 $a90-04-34047-5 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFront Matter -- $tAcknowledgements and Note on Transliteration -- $tIntroduction: Affect, Emotion, and Subjectivity in the Early Modern Period /$rKishwar Rizvi -- $tChasing after the Muhandis /$rSussan Babaie -- $tWho?s Hiding Here? /$rMarianna Shreve Simpson -- $tOttoman Author Portraits in the Early-modern Period /$rEmine Fetvac? -- $tIn Defense and Devotion /$rChristiane Gruber -- $tSentiment in Silks /$rSylvia Houghteling -- $tThe City Built, the City Rendered /$rChanchal Dadlani -- $tF??iz Dihlav??s Female-Centered Poems and the Representation of Public Life in Late Mughal Society /$rSunil Sharma -- $tMevlevi Sufis and the Representation of Emotion in the Arts of the Ottoman World /$rJamal J. Elias. 330 $aAffect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson. 410 0$aArts and archaeology of the Islamic world ;$vVolume 9. 606 $aEmotions in art 606 $aArt, Ottoman 606 $aArt, Mogul Empire 606 $aArt, Safavid 606 $aArchitecture, Mogul Empire 607 $aTurkey$xCivilization$y1288-1918 607 $aIndia$xCivilization 607 $aIran$xCivilization 608 $aElectronic books. 615 0$aEmotions in art. 615 0$aArt, Ottoman. 615 0$aArt, Mogul Empire. 615 0$aArt, Safavid. 615 0$aArchitecture, Mogul Empire. 676 $a709.54 702 $aRizvi$b Kishwar 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910480596203321 996 $aAffect, emotion, and subjectivity in early modern Muslim Empires$92113186 997 $aUNINA