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Hinken 210 $aNew-York [etc.]$cSpringer-Verlag,copyr. 1989 215 $aX, 158 p.$cill.$d23 cm 225 2 $aGraduate texts in contemporary physics$v0 410 0$10010019454$12001$aGraduate texts in contemporary physics 610 1 $aelettronica 610 1 $asuperconduttori 676 $a537623$9. 700 1$aHinken,$bJohann H.$0753460 801 $aSistema bibliotecario di Ateneo dell' Universitą di Salerno$gRICA 912 $a990000194530203316 951 $a537.623 HIN$b0016973 959 $aBK 969 $aSCI 979 $c19970108 979 $c20001110$lUSA01$h1713 979 $c20020403$lUSA01$h1627 979 $aPATRY$b90$c20040406$lUSA01$h1614 996 $aSuperconductor electronics$91515715 997 $aUNISA LEADER 00878nam--2200313---450 001 990000915980203316 005 20200611065138.0 035 $a0091598 035 $aUSA010091598 035 $a(ALEPH)000091598USA01 035 $a0091598 100 $a20020128d1991----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aLibrografica$el'editoria e le sue professioni 210 $aTrieste$cComune Assessorato alle attivitą culturali, Biblioteca civica$d1991 215 $a148 p.$d23 cm 300 $aAtti del convegno tenuto a Trieste nel 1989 410 $12001 606 $aEditoria$xProfessioni 676 $a070.5023 801 0$aIT$bsalbc$gISBD 912 $a990000915980203316 951 $aI.2.B. 170(XIII D 232)$b145359 L.M.$cXIII D 959 $aBK 969 $aUMA 996 $aLibrografica$9970999 997 $aUNISA LEADER 03631oam 22008654a 450 001 9910480450003321 005 20191219001103.0 010 $a1-5261-3230-3 010 $a1-5261-1601-4 035 $a(CKB)3790000000538800 035 $a(MiAaPQ)EBC5179764 035 $a(OCoLC)1132226854 035 $a(MdBmJHUP)muse77725 035 $a(EXLCZ)993790000000538800 100 $a20180409h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aHenry Dresser and Victorian ornithology$eBirds, books and business /$fHenry A. McGhie 210 1$aManchester, [England] :$cManchester University Press,$d2017. 210 4$d©2017 215 $a1 online resource (341 pages, 8 unnumbered pages of plates) $ccolor illustrations, photographs, tables 311 $a1-78499-413-8 320 $a"Bibliography of Henry Dresser": pages 319-327. 320 $aIncludes bibliographical references (pages 285-318) and indexes. 327 $a1. Family background and early life -- 2. Texas : the big adventure -- 3. Settling down to business -- 4. Early exploits in ornithological society -- 5. Collecting -- 6. Discovering the birds of Europe. I -- 7. Discovering the birds of Europe. II -- 8. Making The birds of Europe -- 9. A central figure : society life in the 1870s -- 10. The 1880s : the rise of rivalry -- 11. The 1890s : the continuing rise of the British Museum (Natural History) -- 12. Working independently, 1900-5 -- 13. The grand finale : producing Eggs of the birds of Europe -- 14. Time for a change -- 15. Legacies -- Appendix 1. Birds mentioned in the text -- Appendix 2. Birds named by Henry Dresser -- Appendix 3. Birds named after Henry Dresser -- Appendix 4. 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Byram 210 $aColumbus $cOhio State University Press$d[2015] 215 $a1 online resource 225 0 $aTheory and interpretation of narrative 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8142-1276-X 320 $aIncludes bibliographical references and index. 330 $a"In Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature, Katra A. Byram proposes a new category-the dynamic observer form-to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment. Ethics and the Dynamic Observer Narrator contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. Byram also juxtaposes new readings of works by Textor, Storm, and Raabe from the nineteenth century with analyses of twentieth-century works by Grass, Handke, and Sebald, ultimately reframing our understanding of literary Vergangenheitsbewa;ltigung, or the struggle to come to terms with the past. Overall, Byram shows that neither the problem of reckoning with the past nor the dynamic observer form is unique to Germany's post-WWII era. Both are products of the dynamics of modern identity, surfacing whenever critical change separates what was from what is. 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