LEADER 03441oam 22007094a 450 001 9910480352003321 005 20191217110359.0 010 $a1-5261-2072-0 010 $a1-5261-0466-0 035 $a(CKB)3710000001025582 035 $a(MiAaPQ)EBC4789600 035 $a(StDuBDS)EDZ0001665932 035 $a(OCoLC)989037205 035 $a(MdBmJHUP)muse59381 035 $a(EXLCZ)993710000001025582 100 $a20170222d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFleshing out surfaces$eSkin in French art and medicine, 1650?1850 /$fMechthild Fend 210 1$aManchester :$cManchester University Press,$d2017. 210 3$aBaltimore, Md. :$cProject MUSE, $d2017 210 4$dİ2017. 215 $a1 online resource (347 pages) $ccolor illustrations 225 0 $aRethinking art's histories 300 $aPreviously issued in print: 2017. 311 $a0-7190-8796-1 320 $aIncludes bibliographical references (pages 281-303) and index. 327 $aThe surface's substance -- Nervous canvas -- Sensitive limit -- Skin colour -- Seeing through the skin -- Hermetic borderline -- Epilogue : segregagtion. 330 8 $a'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.--$cSource other than Library of Congress. 410 0$aRethinking art's histories. 606 $aSkin$xPsychological aspects$2fast$3(OCoLC)fst01120112 606 $aSkin in art$2fast$3(OCoLC)fst01120144 606 $aHuman skin color in art$2fast$3(OCoLC)fst00963469 606 $aArt, French$xThemes, motives$2fast$3(OCoLC)fst00816297 606 $aAnatomy, Artistic$2fast$3(OCoLC)fst00808452 606 $aAnatomy, Artistic 606 $aArt, French$xThemes, motives 606 $aSkin$xPsychological aspects 606 $aHuman skin color in art 606 $aSkin in art 608 $aElectronic books. 615 0$aSkin$xPsychological aspects. 615 0$aSkin in art. 615 0$aHuman skin color in art. 615 0$aArt, French$xThemes, motives. 615 0$aAnatomy, Artistic. 615 0$aAnatomy, Artistic. 615 0$aArt, French$xThemes, motives. 615 0$aSkin$xPsychological aspects. 615 0$aHuman skin color in art. 615 0$aSkin in art. 676 $a709.944 700 $aFend$b Mechthild$01026809 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910480352003321 996 $aFleshing out surfaces$92441932 997 $aUNINA LEADER 03323nam 2200733z- 450 001 9910597890603321 005 20221015 035 $a(CKB)5470000000953953 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/92800 035 $a(oapen)doab92800 035 $a(EXLCZ)995470000000953953 100 $a20202210d2021 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aVisual Histories of Occupation$eA Transcultural Dialogue 210 $aLondon$cBloomsbury Academic$d2021 215 $a1 online resource (320 p.) 311 08$a1-350-14220-4 311 08$a1-350-14221-2 330 $aThis book is open access and available on www.bloomsburycollections.com. It is funded by the European Research Council. Asking what does foreign occupation look like and how does occupation shape visual expression and cultures, this edited collection explores how the occupied and occupiers have responded to their circumstances through visual culture. Contributors study specific cases of foreign occupation from around the world and across the 20th century, discussing the similarities, links and points of contact which bring disparate examples of occupation into dialogue with one another. The intention is to illustrate how an emphasis on 'the visual' can help inform our understanding of occupation more broadly. Comprised of 12 core chapters and structured around 4 methodological and conceptual themes, this book adopts a consciously transcultural approach through which contributors examine the influence of specific cases, memories and legacies of occupation. Spanning Europe, Asia, the Middle East and elsewhere, the chapters also engage in a wider dialogue to reveal commonalities and points of comparison across political and temporal boundaries. 517 $aVisual histories of occupation 606 $a20th century, c 1900 to c 1999$2bicssc 606 $aGeneral and world history$2bicssc 606 $aHistory and Archaeology$2bicssc 606 $aMilitary history$2bicssc 606 $aSocial and cultural history$2bicssc 610 $a20th century 610 $a20th century history 610 $aanthropology 610 $aart history 610 $aasian history 610 $acolonial history 610 $acolonialism 610 $acultural history 610 $aeuropean history 610 $afilm studies 610 $aheritage 610 $aheritage studies 610 $ahistory 610 $ahistory of cinema 610 $ahistory of occupation 610 $aimperial history 610 $aimperialism 610 $amilitary history 610 $amodern history 610 $asocial history 610 $athe middle east 610 $avisual culture 610 $avisual history 610 $aworld history 615 7$a20th century, c 1900 to c 1999 615 7$aGeneral and world history 615 7$aHistory and Archaeology 615 7$aMilitary history 615 7$aSocial and cultural history 700 $aTaylor$b Jeremy E$4edt$0195298 702 $aTaylor$b Jeremy E$4oth 906 $aBOOK 912 $a9910597890603321 996 $aVisual Histories of Occupation$93039449 997 $aUNINA