LEADER 04066oam 22007334a 450 001 9910480297503321 005 20211004152538.0 010 $a1-5261-3315-6 035 $a(CKB)4100000008209523 035 $a(MiAaPQ)EBC5824932 035 $a(OCoLC)1101173720 035 $a(MdBmJHUP)musev2_78392 035 $a(EXLCZ)994100000008209523 100 $a20190715d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFrench literature on screen$fedited by Homer B. Pettey and R. Barton Palmer 210 1$aManchester :$cManchester University Press,$d2019. 210 4$dİ2019. 215 $a1 online resource (xiii, 250 pages) $cillustrations 311 $a1-5261-3316-4 311 $a1-78499-517-7 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note:$g1.$tIntroduction: screening French literature /$rR. Barton Palmer --$g2.$tThe spectacle of Monte Cristo /$rJennifer L. Jenkins --$g3.$tAdultery and adulteration in film versions of Flaubert's Madame Bovary /$rColin Davis --$g4.$tFor the first time on screen together: Madame Bovary and Les Miserables in 1934 /$rDudley Andrew --$g5.$tThe Americanization of Victor Hugo: Darryl F. Zanuck's Les Miserables (1935) /$rGuerric DeBona --$g6.$tFrom heterotopia to metatopia: staging Carmen's death /$rPhil Powrie --$g7.$tFrom the Recherche on film toward a Proustian cinema /$rSteven Ungar --$g8.$tOtto Preminger's Bonjour, Tristesse: a tale of three women, if not more /$rR. Barton Palmer --$g9.$tAdapting Pagnol and Provence /$rJeremy Strong --$g10.$tMaigret on screen: stardom and literary adaptation /$rGinette Vincendeau --$g11.$tThe making and remaking of Therese Desqueyroux: one novel, two films /$rSusan Hayward --$g12.$tElle (2016), rape, and adaptation /$rHomer B. Pettey. 330 8 $aThis collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema. 606 $aRezeption$2gnd 606 $aLiteratur$2gnd 606 $aFranzo?sisch$2gnd 606 $aFrench literature$2fast$3(OCoLC)fst00934688 606 $aMotion pictures$2fast$3(OCoLC)fst01027285 606 $a24.32 history of film art$3(NL-LeOCL)077601394$2bcl 606 $a18.25 French literature$3(NL-LeOCL)077612086$2bcl 606 $aMotion pictures$zFrance$xHistory$y20th century 606 $aFrench literature$xHistory and criticism 606 $aFrench literature$xFilm adaptations$xHistory and criticism 607 $aFrance$2fast 608 $aFilm adaptations. 608 $aAufsatzsammlung. 608 $aCriticism, interpretation, etc. 608 $aFilm adaptations. 608 $aHistory. 608 $aElectronic books. 615 0$aRezeption 615 0$aLiteratur 615 0$aFranzo?sisch 615 0$aFrench literature. 615 0$aMotion pictures. 615 0$a24.32 history of film art. 615 0$a18.25 French literature. 615 0$aMotion pictures$xHistory 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench literature$xFilm adaptations$xHistory and criticism. 676 $a791.430944 702 $aPalmer$b R. Barton$f1946- 702 $aPettey$b Homer B. 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910480297503321 996 $aFrench literature on screen$92484817 997 $aUNINA