LEADER 02482oam 22006494a 450 001 9910480060203321 005 20190417223128.0 010 $a1-5261-0409-1 010 $a1-78499-677-7 035 $a(CKB)3710000000493217 035 $a(EBL)4083641 035 $a(SSID)ssj0001586849 035 $a(PQKBManifestationID)16269870 035 $a(PQKBTitleCode)TC0001586849 035 $a(PQKBWorkID)14869325 035 $a(PQKB)11790946 035 $a(StDuBDS)EDZ0001378205 035 $a(MiAaPQ)EBC4083641 035 $a(OCoLC)981602840 035 $a(MdBmJHUP)muse59590 035 $a(EXLCZ)993710000000493217 100 $a20160405d2016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClassical Hollywood cinema$ePoint of view and communication /$fJames Zborowski 210 1$aManchester, [U.K.] :$cManchester University Press,$d2016. 210 3$aBaltimore, Md. :$cProject MUSE, $d2017 210 4$dİ2016. 215 $a1 online resource (152 p.) 300 $aDescription based upon print version of record. 311 $a1-78499-615-7 311 $a0-7190-8334-6 320 $aIncludes bibliographical references (pages 131-134) and index. 330 8 $aThis text offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. It interrogates prevailing assumptions about film's ability to represent character experience and offers an alternative way of understanding and describing films' achievements in this regard. 606 $aMotion pictures$2fast$3(OCoLC)fst01027285 606 $aMotion picture industry$2fast$3(OCoLC)fst01027150 606 $aMotion picture industry$zCalifornia$zLos Angeles 606 $aMotion pictures$zUnited States$xHistory and criticism 607 $aUnited States$2fast 607 $aCalifornia$zLos Angeles$2fast 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aMotion pictures. 615 0$aMotion picture industry. 615 0$aMotion picture industry 615 0$aMotion pictures$xHistory and criticism. 676 $a791.4/30973 700 $aZborowski$b James$01026235 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910480060203321 996 $aClassical Hollywood cinema$92441059 997 $aUNINA