LEADER 03545nam 22006015 450 001 9910479858303321 005 20210920212529.0 010 $a0-8147-7741-4 010 $a0-8147-4529-6 024 7 $a10.18574/9780814745298 035 $a(CKB)2550000000047441 035 $a(EBL)865621 035 $a(OCoLC)751978637 035 $a(SSID)ssj0000606285 035 $a(PQKBManifestationID)11372080 035 $a(PQKBTitleCode)TC0000606285 035 $a(PQKBWorkID)10581629 035 $a(PQKB)11236733 035 $a(MiAaPQ)EBC865621 035 $a(MdBmJHUP)muse4862 035 $a(DE-B1597)548681 035 $a(DE-B1597)9780814745298 035 $a(EXLCZ)992550000000047441 100 $a20200608h20112011 fg 0 101 0 $aeng 135 $aurnn#---|un|u 181 $ctxt 182 $cc 183 $acr 200 10$aCriminology Goes to the Movies $eCrime Theory and Popular Culture /$fNicole Rafter, Michelle Brown 210 1$aNew York, NY :$cNew York University Press,$d[2011] 210 4$dİ2011 215 $a1 online resource (240 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8147-7652-3 311 0 $a0-8147-7651-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface --$tNote on Use of Dates --$t1 Introduction --$t2 ?For Money and a Woman? --$t3 ?He?s Alive!? --$t4 ?Blood, Mother, Blood!? --$t5 ?You Talking to Me?? --$t6 ?You?re Giving Me a Nervous Breakdown? --$t7 Getting the Drift --$t8 ?Pornography in Foot-High Stacks? --$t9 Fight the Power --$t10 ?Let Her Go? --$t11 A Matter of Time --$t12 Conclusion --$tAppendix of Films --$tNotes --$tBibliography --$tIndex --$tAbout the Authors 330 $aInvestigating cinema under the magnifying glass From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown?s book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology. Instructor's Guide 606 $aCriminology 606 $aCrime in popular culture 608 $aElectronic books. 615 0$aCriminology. 615 0$aCrime in popular culture. 676 $a364 700 $aRafter$b Nicole Hahn$f1939-$4aut$4http://id.loc.gov/vocabulary/relators/aut$01038782 702 $aBrown$b Michelle$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910479858303321 996 $aCriminology Goes to the Movies$92460576 997 $aUNINA