LEADER 04406nam 2200637 450 001 9910477329803321 005 20211011094447.0 010 $a1-4744-9553-2 010 $a1-4744-6753-9 024 7 $a10.1515/9781474467537 035 $a(CKB)4100000011804503 035 $a(StDuBDS)EDZ0002607460 035 $a(MiAaPQ)EBC6519206 035 $a(Au-PeEL)EBL6519206 035 $a(OCoLC)1242107182 035 $a(ScCtBLL)937057d6-04ba-4d3f-b936-37dc52b6c023 035 $a(DE-B1597)614560 035 $a(DE-B1597)9781474467537 035 $a(OCoLC)1312726253 035 $a(EXLCZ)994100000011804503 100 $a20211011d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aJihadi audiovisuality and its entanglements meanings, aesthetics, appropriations /$fedited by Simone Pfeifer and Christoph Gu?nther 210 1$aEdinburgh, Scotland :$cEdinburgh University Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (344 pages) $cillustrations (black and white, and colour) 225 1 $aEdinburgh scholarship online 300 $aPreviously issued in print: 2020. 311 $a1-4744-6751-2 320 $aIncludes bibliographical references and index. 327 $aJIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS -- Copyright -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction - Jihadi Audiovisuality and Its Entanglements: A Conceptual Framework -- Part A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM -- 1 On Speaking, Remaining Silent and Being Heard: Framing Research, Positionality and Publics in the Jihadi Field -- 2 Designing Research on Radicalisation using Social Media Content: Data Protection Regulations as Challenges and Opportunities -- 3 Ethics in Gender Online Research: A Facebook Case Study -- Part B VISUALISING JIHADI IDEOLOGY AND ACTION -- 4 Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions -- 5 Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (IS) Beheading Videos -- 6 From the Darkness into the Light: Narratives of Conversion in Jihadi Videos -- Part C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY -- 7 Artivism, Politics and Islam - An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives -- 8 Re-enacting Violence: Contesting Public Spheres with Appropriations of IS Execution Videos -- 9 'You're against Dawla, but you're Listening to their Nasheeds?' Appropriating Jihadi Audiovisualities -- Part D ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE -- 10 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and Transformations -- 11 Anashid at the Crossroads between the Organisational and the Private -- 12 Contested Chants: The Nashid Salil al-Sawarim and its Appropriations -- INDEX. 330 8 $aISIS is often described as a terrorist organisation that uses social media to empower its supporters and reinforce its message. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts. Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. 410 0$aEdinburgh scholarship online. 606 $aInternet and terrorism 606 $aDigital media$xReligious aspects$xIslam 606 $aTerrorism$xReligious aspects$xIslam 608 $aBiographies$2lcgft 615 0$aInternet and terrorism. 615 0$aDigital media$xReligious aspects$xIslam. 615 0$aTerrorism$xReligious aspects$xIslam. 676 $a363.3250956 700 $aGünther$b Christoph, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01222013 702 $aGu?nther$b Christoph 702 $aPfeifer$b Simone 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910477329803321 996 $aJihadi audiovisuality and its entanglements meanings, aesthetics, appropriations$92833970 997 $aUNINA