LEADER 00915nam0 2200277 450 001 9910417454303321 005 20200929125221.0 100 $a20200929d2000----km y0itay50 ba 101 0 $aita 102 $aIT 105 $aa 001yy 200 1 $a<>mare di risorse$eintroduzione alla conservazione ed alla gestione delle risorse ittiche$fAlessandra Cannas ... [et al.]$g[a cura di Stefano Cataudella e Gian Carlo Carrada] 210 $aRoma$cUniprom$d2000 215 $aXV, 395 p$cill.$d27 cm 676 $a333.916416$v23$zita 702 1$aCataudella,$bStefano 702 1$aCarrada,$bGian Carlo 702 1$aCannas,$bAlessandra 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910417454303321 952 $a60 333.916 CATS 2000$b523/2020$fFAGBC 952 $a60 333.916 CATS 2000 BIS$b524/2020$fFAGBC 959 $aFAGBC 996 $aMare di risorse$91757613 997 $aUNINA LEADER 02095nam 2200361 450 001 9910477185003321 005 20230223201115.0 024 7 $a10.1515/9789048515059 035 $a(CKB)2550000001170071 035 $a(NjHacI)992550000001170071 035 $a(EXLCZ)992550000001170071 100 $a20230223d2012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAudiences $eDefining and Researching Screen Entertainment Reception /$fIan Christie 210 1$aAmsterdam :$cAmsterdam University Press,$d2012. 215 $a1 online resource (332 pages) 311 $a1-306-20805-X 330 $aMoving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. Audiences utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies.As the film experience fragments across multiple formats, Audiences studies a broad range of viewers, andis essential reading for scholars and lovers of cinema. 517 $aAudiences 606 $aFilm criticism 615 0$aFilm criticism. 676 $a791.4301071 700 $aChristie$b Ian$0704082 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910477185003321 996 $aAudiences$93016326 997 $aUNINA